
When done, I sat back, skimmed it briefly, felt good. Then had a snack and a drink, went over it for editorial niceties and spelling for a half-hour or so.
Then, around 3 am, I sent it out to three of the actors I knew I wanted for the show, who had already expressed a specific interest in doing it.
I have other actors in mind, but I have to write more explanatory cover letters about the project before I send the script to them.
Got up, went over the script again, this time listening to Bernard Herrmann's original score in my headphones as I went, timing it out, imagining how the scenes would play with the music. Pretty heartbreaking, actually.
I read out the end credits (as Welles does in the film and as I will in the show) several times with the original music cue (unused in the release cut of the film). So beautiful. I had to finally just force myself to stop or I'd have been doing it over and over again all day long.
I started collecting images from the film from where ever I could find them, as research and just for fun, as I can't watch the film right now, and spent some time cleaning them up in Photoshop.
(I have a bootleg DVD copy of the Criterion laserdisc on loan from Michael Gardner, but while it plays in The Brick's DVD player, it doesn't like playing in our PS2 or iMac - the two ways we have of watching DVDs at home right now)
Got an email from Timothy McCown Reynolds saying yes to playing Eugene Morgan (the Joseph Cotten part) - if the rehearsals can be worked out and there are no conflicts. Huzzah! One down.
Kept at work. Got interrupted by Hooker the Cat having one of his epileptic seizures (first one since July, as far as we know). Calmed him down, held him, cleaned up the mess that happens with this. Made sure he was comfy. Went back to work.
More emails about to go out. This is exciting. I'm actually going to do this damned thing.
OK. Now I need to find that understudy for a Pagan Reveler that I need for Merry Mount on Sunday . . .