collisionwork: (music listening)
Reminder for those who care and need one -- tomorrow, at 3.00 pm, Marc Spitz's The Hobo Got Too High returns for a free performance at The Brick. Then at 5.00, I'm doing my solo performance of Chekhov's In Moscow (A Moscow Hamlet) - I thought there'd be more stuff going on at The Brick and elsewhere for the WPA Fest in the afternoons the next two days, but apparently not, so I'm out there on my own somewhat. Maybe someone'll show up. (Ah, I just checked the updated WPA site and there are more things going on tomorrow . . . great, I don't feel so alone!)

In the iPod now: 20,560 songs, 72.66 GB. I'm trying to cut down all the fat more and more as I add things. Doing pretty good, eliminating 2 or 3 songs for every one that I add, but at some point I'm going to run out of ones to cut . . . Oh, well, here's ten for the morning:

1. "Sandals in the Sand" - The John Shakespeare Orchestra - Hotel Easy Vol. 4: Saint Tropez—Paco's Poolside Bar

Dopy 60s Brit instrumental. This will go when I get to "S" as I cull out stuff from the iPod (I'm in the middle of "O" currently). If I remember when I get there.
2. "Shut Up" - Eddie Warner - Le Jazzbeat! 2

Non-dopy 60s instrumental, probably English. Now this is the kind I like that I get these compilations for (and end up with a handful of ones like #1 above). Exciting, spy-movie-esque, with a hint of moog. Cool.
3. "Memphis" - The Rolling Stones - Clean Cuts - Vol. 2

Pleasant loping early cover by some cleancut-sounding young men. Mick seems to have almost all the lyrics, with an exception or two ("the phone boy took the message and he wrote it on the wall"?).
4. "Peppermint Twist (Part 1)" - Joey Dee & The Starlighters - Land Of 1000 Dances vol. 1

Hmmmn. Maybe The Brick theatre needs its own dance step and theme song. "The Metropolitan Hop?" "Do the Brick (parts 1 & 2)?" "Lorimer Slide?"
5. "What Is Life" - George Harrison - All Things Must Pass

I miss George. This album can be a mixed bag, with the Spector production doing great by some songs (like this one) and swamping others, but if I had to pick one album by an ex-Beatle for a desert island or something . . . well, this is in the lead, I think.
6. "Empty Heart" - The Mods - So Cold!!! Unearthed 60s Sacramento Garage

A fine slice of spiteful teen-angst trash. Yeah, from the "Mods." From Sacramento, CA.
7. "Monks" - King Missle - Failure

Underscored humorous monologue that gets tiresome quickly then comes back with a twist that makes it all worth it.
8. "Pills" - New York Dolls - New York Dolls

A favorite. If you're going to cover Bo Diddley, you have to be at least this good.
9. "No More Now" - The Smoke - Nuggets II: Original Artyfacts From The British Empire And Beyond, Vol. 4

More teen trash.
10. "Seattle" - Public Enemy Ltd. - Happy?

(aka "Get Out of My World") Ah, yes. Memories of the 80s. John Lydon remains John Lydon, slick production or not.

God, tempus fugits away when you're wasting time online. I have to get over to The Brick to clean up the place for the weekend and work on my lines there, as there's something more effective about working on lines in a theatre itself than at home (luckily, I still seem to have Hobo down and In Moscow is coming back a lot faster than I was afraid it would - I last performed it in 2001). There's a rehearsal in there from 12 - 3, but even sitting in the dressing room or behind the bar is better for doing line work, I've found, then being at home and easily distracted. So, off I go like a hoid of toitles . . .

collisionwork: (Default)
Somehow, by some chain of thought about an hour ago, I was reminded of the dance number from Broadway Melody of 1940 done by Fred Astaire and Eleanor Powell to Cole Porter's "Begin the Beguine." Don't remember what got me there, but I got there. I realized I'd never seen it outside of the compilation-film That's Entertainment, where it is edited down and partially covered with narration. So I looked for it on YouTube -- there were five or so uploads of it, none of them all that good (either edited down, narrated, or badly copied - in one case, videotaped with a camera off of a TV screen!), but one of them is passable, and here it is:



And I realized again that I haven't seen enough Eleanor Powell, and knew pretty much nothing about her. I only knew the number above where she looks to be the best damned tap partner Astaire ever had (after making this film, he supposedly told Fayard Nicholas he'd never work with Powell again 'cause he made her work too hard) and two numbers from Broadway Melody of 1936 included on the Singin' in the Rain DVD, one of which is terrific (the "Broadway Rhythm" finale) and the other features Powell, a hoofer, in balletic choreography completely unsuited for her (as well as a hideously unflattering costume) which she still pretty much sells.

The Wikipedia entry on her notes that Broadway Melody of 1940 is available on DVD (okay, up it goes to the top of the Netflix queue!) but that almost nothing else of hers is, though a box set may be forthcoming "by the end of this year." In the meantime, here are a couple more short numbers from that film. First, Powell and Astaire again . . .



Now, Astaire, Powell, and George Murphy (a good dancer, but shouldn't be forced to be next to Powell and Astaire, dancing in unison, poor dope) . . .



And from Broadway Melody of 1938, a much longer number -- I love the way the person who uploaded this to YouTube (a non native-English speaker) describes this: "In This Clip You See Sophie Tucker Singing A Great Song, And After That You Can See Eleanor Powell." That about sums it up. If you're not interested in Sophie Tucker (shame!), Powell starts dancing at 3.22 in/5.11 to go:



We worship you, O Eleanor Powell.

collisionwork: (vile foamy liquids)
Today is International Talk Like a Pirate Day. So get to't me 'arties!

I know that some of you may demur, understandably, but at least please try to throw a little "Arrrr" in somewhere in your day, for the hell of it.

Back at boarding school, about 23 years ago, I and a group of friends were into this "pirate voice" thing way before it became the popular craze with the young folks it is today (ah, youth, with their big pants, and their tattoos and their rock and rolls . . .), until we discovered that talking in pirate voices was a sure way to have women avoid us -- as it was put to us (somewhat as an ultimatum) by our female friends who would no longer eat lunch with us if they heard so much as an "Ay, matey" at the table: "Chicks don't dig pirate voices."

This seems to be one of those not-examined-enough lines in the gender wars, a sure line between what men and women appreciate, along with The Three Stooges and the music of Frank Zappa (h/t Tom X. Chao). Luckily for me, Berit is the exception who digs the Stooges, some Zappa music (anything other than "the noodley jazz shit"), and will tolerate the pirate voice, and sometimes even join in.

If you yourself would like to participate, but are inexperienced in this, here is (h/t Language Log) a fine fine superfine instructional video for your dining and dancing pleasure:



And for the advanced student (and I know I've posted this before, but what the hell), you can try singing along with Mr. George 'Arrison:



collisionwork: (Laura's Angel)
In the chagrin-fringed "I Didn't Know They Were Still Alive When They Died" Department, a new entry . . .

Just read on Mark Evanier's blog that the beloved (by some, including me) Match Game stalwart Brett Somers has passed away. This is confirmed on Brett Somers' website (my god, there's a www.brettsomers.com!).

Of course she had a career and life outside of that game show, but I couldn't for the life of me have told you anything about that before reading the links I just included in this sentence. She was married to the Klugmeister? Huh. Somehow makes sense. Grew up around Portland, ME . . . lived in Westport, CT. Whaddya know?

And in tribute, a little piece of performance art from Mystery Science Theater 3000, as Crow T. Robot performs his one-robot show, a tribute to Gene Rayburn, Give 'Em Hell, Blank!:



collisionwork: (GCW Seal)
Hitting Williamsburg for the next two weekends (September 22, 23, 29, 30) is the 2nd Annual WPA Free Fest --

That is, a free festival from the Williamsburg Performance Alliance, where seven performance spaces/organizations in Williamsburg will open their doors all day and night to host free performances.

The home page is HERE (though it's not entirely updated as I write, and still has a lot of things from last year on there, but I'm told it'll be all set shortly).

The Brick will be participating on the first weekend in the evenings with their week of productions of Suzan-Lori Parks' 365 Days/365 Plays.

And also . . .

Gemini CollisionWorks will be participating on Saturday, September 22, with two free performances. At 3.00 pm, the return of

hobocardfront

directed by Ian W. Hill

performed by Ian W. Hill, Rasheed Hinds, Roger Nasser, and Jessica Savage. 70 minutes long, no intermission. Not appropriate for kids. Really.

Returning from August, and (we hope) prior to more shows later this year, you have a chance to see this popular comedy for free now. It's our "loss leader," cause we think you'll wanna come back and pay the sawbuck later, and bring your friends . . .

(more info on this show below)

and at 5.00 pm:

Ian W. Hill performs the monologue In Moscow (A Moscow Hamlet) by Anton Chekhov, translated by Carol Rocamora. 20 minutes long.

Nasty, funny, bittersweet, tragic, satiric - the essence of Chekhov in 20 minutes, as an aging bohemian examines his own boredom, his own flaws, and his talent for appearing talented while knowing nothing in a cultural world that knows even less than he. As appropriate (or more?) to Williamsburg in 2007 as to Moscow in 1891.

Did we mention they're FREE?

Come on by and check us out, and go by some of the other participating spaces before or after and see what they're doing (also participating on both weekends: Vampire Cowboys/The Battleranch and Soundance at The Stable; participating on the second weekend: Triskalion Arts and WAX).

My shows are at

The Brick

575 Metropolitan Avenue, Williamsburg, Brooklyn

right by the L Train (Lorimer) and G Train (Metropolitan/Grand) stops

WARNING: Both shows feature the brief smoking of (legal in NYC but potentially annoying) herbal cigarettes onstage. It's actually important to both shows and the characters in them and it just looks silly mimed. Hope that's okay with you.

**********

The Hobo Got Too High by Marc Spitz

directed by Ian W. Hill

3.00 pm - Saturday, September 22 -- The Brick

Bug Blowmonkey loves music. Bug Blowmonkey loves a woman. Bug Blowmonkey loves cocaine. Two of these things are good for him, but the other one is messing him up. Bad. Wanna take a guess which one? Bug knows the blow is taking him down a dark path, but can't quit it on his own. Luckily, he has a spirit guide to help him out of his hole, and towards the "light" he seeks: Marvin Gaye. Granted, Marvin is also a drug-addled paranoiac (and dead for 20 years), but beggars can't be choosers when it comes to spirit guides, it seems. Will Bug, with the help of Marvin Gaye and a stuffed buffalo in The Museum of Natural History, be able to overcome his addiction and fight the haunting, taunting spirit of the girlfriend he lost to win the heart of a new woman in his life, who may be able to save him from himself? Will he find his "light?" Will he figure out why every person he sleeps with has a tail? Will this whole story be told in a fast, jumpy, non-linear style, full of hysterical one-liners and astonishing situations?

At least three of these questions will be answered in a viewing of Marc Spitz's play, The Hobo Got Too High, staged by Ian W. Hill. Spitz -- often described, probably to the point of his being tired of it, as "a downtown Oscar Wilde" -- is known for a distanced, ironic, comic sensibility in his plays. Hill -- often described, with deep inaccuracy, as a protege of Richard Foreman -- is known for a stylized, abstracted, presentational directorial style. What do these two share? A deep love and understanding of rock and roll music, and a hidden romantic, sentimental side. Put them together in this play, and you get a production that feels like a great eclectic mix tape, moving from the lugubrious sadness of Leonard Cohen to the jumpiness of The Velvet Underground to the wistfulness of Michael Nesmith to the pure pop of The Lightning Seeds to the deep soul of Marvin Gaye.

The Hobo Got Too High is an hour of sex, drugs, rock and roll, romance, non-sequiturs, vast numbers of curse words, retractable penises, and an appraisal of Diane Lane's breasts. Come see it FOR FREE in the WPA Free Fest!

collisionwork: (escape)
I've been vaguely looking for The Times' song "I Helped Patrick McGoohan Escape" for years now - that is, wanting a copy, but rarely reminded of it.
I Helped Patrick McGoohan EscapeHeard the song once on a mixtape from a roommate about 19 years ago. Found it recently and downloaded it. Was just listening to it and was reminded that there was a video for the song that I'd never seen and always wanted to. Took a look for the video.

I do indeed love the YouTube . . .



I've gotten the work I need to done for the day -- might be a good evening for a mini-marathon of episodes of The Prisoner

Patrick McGoohan as Number Six

I may be almost 40, but I still want to be Patrick McGoohan when I grow up . . .

Patrick and KAR

Be seeing you . . .

The Village

collisionwork: (GCW Seal)
I'm still going through all the photos I have from the August shows and fixing them up in Photoshop, but I have the first batch done. These cover the first part of the two-part NECROPOLIS 1&2: World Gone Wrong/Worth Gun Willed.

I still think I'm missing some that I should have . . . I'm positive we set up and shot scenes that I don't seem to have any pictures of -- such as the backlit shadow band from the club scene. The closest I have to that are a couple of behind-the-scenes shots, like this one of Art Wallace blowing his two-dimensional cardboard trumpet:

World Gone Wrong 2007 - Art blows it

So, inside the cut (which I hate, but I keep being reminded that cuts are "polite"), the first part of the show.

14 fragments of a World Gone Wrong )



Ah, yes . . . and here's Mateo, Art, and Alyssa (hidden behind Mateo) doing their number behind the scrim.
World Gone Wrong 2007 - behind the shadows

More soon.

collisionwork: (vile foamy liquids)
Oh, yeah . . . I had those videos to put up, in a kinda sorta stream-of-consciousness order . . .

First, here's Little Jodie Foster doing a Serge Gainsbourg song with Claude Francois on a French variety show sometime in the 70s - the original was by Gainsbourg and Brigitte Bardot, and when I saw the title I expected that Foster would be doing the Bardot part. Nope. Here's "Comic Strip:"



(and HERE's more of Foster on that show, doing a solo number, shot in classic William Shatner, "Rocket Man," 70s variety-show-style, though without nearly as much cheese)

And from the first thought ("songs in foreign languages") we move to the next one ("songs in foreign languages with subtitles"), with this song in Flemish from a Belgian kids' show:



(oh, right, I didn't say the subtitles would be accurate, now did I?)

And continuing along that "inaccurate subtitling" thought, Hitler has some car trouble:



(this original video led to another video that is funnier - if you follow video games at all - but has already been linked to and embedded everywhere, so I went with this - if you haven't seen the sequel, follow the link . . .)

And continuing with the fine theme of Hitler humor, who else but Mel Brooks knows how to find the yuks in Nazis, with this video that actually wound up "banned" from most TV in the USA when it was released to tie in with his To Be Or Not To Be movie (I have it on Beta tape somewhere from when it was shown in the USA Network's Night Flight, surrounded by warnings that it might be "offensive"):



Enjoy.

collisionwork: (music listening)
A fairly relaxed, low-key random ten today - almost putting me back to sleep until #6 & 7 suddenly hit and I had to crank it up and thrash around. #9 also pretty upbeat, but the rest, either lugubrious or "spacy." No clunkers, and a few here that I barely know.

So, from the iPod - currently at 20,652 songs, 72.94 GB, and dropping as I cut stuff every day:


1. "Cadillac" - Combustible Edison - I, Swinger
2. "The Cycle Set" - The Hondells - Beach Blanket Bingo
3. "Private Eye" - Alkaline Trio - From Here to Infirmary
4. "The Ring Cycle" - Glen or Glenda - Reasons in the Sun
5. "Invisible Horse" - Euro Boys - Long Days Flight Til Tomorrow
6. "Seven Nation Army" - The White Stripes - Elephant
7. "Quand Tu M'embrasses" - Danielle Denin - Ultra Chicks Vol 4: YĂ© YĂ© Girls!

Hot little French version of "I'm Looking Through You!"

8. "Nothing More to Look Forward To" - Betty Carter - 'Round Midnight
9. "The Pogs' Theme" - The Pogs - Before Birdmen Flew - Australian Beat, R&B & Punk: 1965-1967
10. "25 O'Clock" - The Dukes Of Stratosphear - Chips From The Chocolate Fireball

And R.I.P. Bobby Byrd and Willie Tee.

Shock

Sep. 11th, 2007 09:10 am
collisionwork: (welcome)
I was originally going to post three videos today of different versions of Tim Buckley's beautiful "Song to the Siren," as performed by Buckley, This Mortal Coil, and T.N. Gregory, but the copyright holders of the song have had Buckley's version taken off YouTube, and the post doesn't work for me without it.

Then I considered posting a mixed bag of silly things I'd found on YouTube.

Then I looked up at the date and time, and remembered where I was exactly six years ago as I was looking (9.06 am).

I was going to go with the silly stuff, in my continuing attempt to ignore anniversaries of this day (which has, indeed, remained an attempt). But [livejournal.com profile] toddalcott posted this short trailer for Naomi Klein's book, The Shock Doctrine: The Rise of Disaster Capitalism (in a post correctly titled "Well, this is certainly worth a look"), created by Klein, filmmaker Alfonso Cuaron, and his son Jonas Cuaron. Nothing new here, really, I guess, but some of the specifics and connections here focus the argument, and made me feel like sharing it as well:

I'll be back later with the silly stuff.

collisionwork: (Tulse Luper)
Back in NYC. Things to do here, but still no real word as to what and when, so I'm in a holding pattern - I want to get back up to Maine again for a little more time, but I need to have things firmed up here first.

I now have a bit of a backlog of things I've wanted to post, so it'll be a lot of videos and photos this week that have been itching to get out of my Flickr and YouTube accounts and onto the blog.

Today I watched Guy Maddin's The Saddest Music in the World again, and liked it even more than I did on my two previous viewings. It's the first feature of his where his amazing style and the content just all come together for me and I can enjoy the film all the way through, rather than just getting tired of it after the first third or so. Not this one - when it was over I just wanted to restart again.

But rather than go that way, I watched the short films by Maddin included on the disk as well, two of which are also wonderful - Sissy Boy Slap Party and Sombra Dolorosa, and it made me look to YouTube to see if his other great short, The Heart of the World, could be found there. Yup. So here are those three wonderful shorts by Guy (which, Canadian though he is, turns out to rhyme with "by" and not "three") Maddin:

The Heart of the World


Sissy Boy Slap Party


Sombra Dolorosa


Enjoy.

Time

Sep. 7th, 2007 04:09 pm
collisionwork: (Laura's Angel)
Madeleine L'Engle has passed away.


I haven't read any of her books in about 20 years, but for the 10 years before that, I read whatever I could get my hands on, including the classic A Wrinkle in Time which I read many many times (I identified with Charles Wallace a bit much, I think). Oddly enough, I don't think I've ever actually owned any of her books - I recall always having them from school or public libraries. Looking over her work now, it appears I read only a tiny fraction of her published work.


I was pleased and honored to have met and spoken to Ms. L'Engle briefly in 1987 (CORRECTION: 1984) and had dinner with her at her home in 1991 as result of being a classmate and later a friend of her granddaughter, Charlotte.


Recently, Berit and I had a mildly heated discussion with some friends regarding the Harry Potter books - which B & I both enjoy somewhat, but feel are just a bit overrated - I do feel they've gotten much better as they went along, and Rowling's writing skills caught up more to her imagination. However, B & I were making the point that yes, these books are enjoyable for adults to read, but they are still children's books, no matter how dark they may be. This is not a pejorative statement, I think, but just the way it is, but it was taken as a putdown by the people we were talking to, and we were challenged to name other children's books as deep and rich as the Potters.

Well, just thinking of the ones I still keep on my bookshelf and occasionally pick up and read for pleasure, I was able to name Roald Dahl's wonderful books, The Last of the Really Great Whangdoodles by Julie Edwards (aka Julie Andrews), Norton Juster's The Phantom Tollbooth, and (especially for my money) the Dark Is Rising series by Susan Cooper (I enjoyed the Philip Pullman books the one time I read them, but I need to spend more time with them to see if I'd put them up there, too).

Once upon a time I would have included the Narnia books as well, but I reread them a couple of years ago in writing about them for the UGO.com Narnia hub, and discovered (having not touched them in almost 30 years) that they are definitely written for children (and written down to them, annoyingly) and not all that well. Very annoying books now. The other ones I've mentioned all hold up for me as an adult, not Mr. Lewis' annoying allegory. Ugh.

I didn't think of it at the time, but I should have included The Time Quartet. I think I'll check them out again - I may never have owned them, but Berit does, and they're on our shelves now. I have a tiny fear that they'll wind up closer to Lewis rather than Dahl or Cooper or Rowling, but only tiny.

And if you think that children's books that could be read with pleasure by adults (and which show that "children's books" should not be thought of a a negative term) began with Rowling, take a look at L'Engle.

collisionwork: (philip guston)
From elsewhere in this odd world we calls the internet:


1. Dan Trujilo points out CNN's knowledge of the way Comedy works. Ha. Ha.


2. from I Can Has Cheezburger?, a cat that shares its quotational skills with World Gone Wrong:


noir-cat-doesnt-mind-a-reasonable-amount-of-trouble.jpg


3. Which reminds me, I'll be posting photos from my recent shows here soon, but I won't take up space by posting all of them. So some other favorites can be seen in the Flickr sets for them (like the one for World Gone Wrong 2007 here), or here, when I feel like it. Here's a favorite photo that won't make it into the post of photos from World Gone Wrong, of Iracel Rivero as Theresa Malone, the newspaper reporter who "doesn't mind a reasonable amount of trouble:"


World Gone Wrong 2007 - Scene 11


More soon.

collisionwork: (music listening)
Well, the first part of our "rest in Maine" time is just about up. We have things to do in NYC from tomorrow to Tuesday, so we schlep back for a while. Don't know how long yet. Depends on what I have to do over at the theatre -- The Brick has a few things coming up that we may be needed for: our week in the 365 Days/365 Plays event, the WPA Free Fest (that's the Williamsburg Performance . . . Alliance? Association? I dunno . . .), and the Clown Theatre Festival.


Meanwhile, I've been slicing away at the dross on the iPod, and it's now at 20,474 songs, 71.57 gigs. I'm making some space on the thing. Of course, I've added around 500 songs to it while dropping 1,200, but that ratio is okay. I just heard they're coming out with a 160 GB iPod, too . . . no, that would be madness. Here's what comes up random this morning:


1. "California" - The Beach Boys - Good Vibrations: Thirty Years Of The Beach Boys
2. "Your Quimby Dollars at Work" - Mike Keneally - Hat
3. "Rockin' Shoppin' Center" - Jonathan Richman & The Modern Lovers - Jonathan Richman & The Modern Lovers
4. "Third World Man" - Steely Dan - Showbiz Kids: The Steely Dan Story
5. "Waiting for Mary" - Pere Ubu - Cloudland
6. "The Will of God" - Keith Bradford - MSR Madness 4: I'm Just The Other Woman
7. "You Me" - Procession - Oceanic Odyssey Volume 12
8. "It's Gotta Be a False Alarm" - The Volcanos - Northern Soul: The Cream of 60's Soul

Okay, this is from a comp I've never listened to in its entirety, and it's beautiful and weird -- it's an uptempo R&B/Soul song, with some orchestration, but prominently featured are a trombone (maybe a tuba?) that sounds like it should be in a oom-pah band and a clarinet that sounds like it should be in a klezmer band. Very odd in an R&B song . . .


9. "Mr. Tenor Man" - Lou Christie - Spazzy Answer Songs
10. "Please Hurt Me" - The Crystals - The Best of The Crystals


This may be the single most cheery, lighthearted and smile-inducing random ten I've ever had (with a slight drop on #10). How nice.

Ah, well, one more day of vegetating and watching TV - we don't have TV at home in Brooklyn so our time up here always involves vast amounts of "surfing the zeitgeist" as Berit calls it (though that winds up being primarily the watching of shows on Animal Planet and Discovery and reruns of C.S.I.). Yes, our idea of a vacation is hunkering down in a dim, cave-like room and not dealing with anything. {sigh} Sounds great to me a lot of the time . . .

collisionwork: (Laura's Angel)
Recently, by chance, I've been listening to a whole bunch of 70s soul music and getting into it more than I once did -- The Delfonics, Roberta Flack, Ashford & Simpson, The Dynamics, others. Soothing - what I need, right now.

Sometimes, a voice full of feeling, slow, full, is what you need for a while. And it can be in any kind of music.

Jason Stone, at Get On Down with the Stepfather of Soul!, points out in this entry that there are different kinds of soul, and pays tribute to the late Mr. Pavarotti with links to the great man singing with some unlikely collaborators. I've embedded them here for your dining and dancing pleasure. These are apparently from his annual "Pavarotti and Friends" charity concerts in Modena, Italy. I'd heard vaguely of these, but didn't know it was an annual event, nor so BIG.

So here is Pavarotti with the late great James Brown:



(and, for some reason, it seems less odd to me that Pavarotti is singing with JB as it is that he's singing a James Brown composition!)

And here, with the also late, also great, Mr. Barry White:


And here, the beautiful "Miss Sarajevo," with (the still alive) Bono, The Edge, Brian Eno and (late, great) Michael Kamen conducting:


I can't remember what blog guided me towards this link this morning, but here's a little something on Joel Veitch's rathergood.com, an animated tribute to an apparent special fondness of this great tenor's:

Pavarotti Loves Elephants

Ciao, Maestro.

collisionwork: (sign)
We did photo calls for three of the four plays we put up last month, the three NECROPOLIS plays, on the days they closed. I'm in the process of collating all of them from all sources, fixing them up in Photoshop, and posting them at my Flickr page -- I'll start posting them here once I've fixed the whole damned lot.

Berit and I don't currently have a functioning camera, so we relied on the kindness of our actors, asking any of them who had a handy digital camera to bring it to the calls, as I've had good luck in the past with a whole bunch of cameras each taking a whole lot of photos producing some really damned nice ones.

So at the WGW/WGW call, there was a lot of this:

The WGW Cast Shoots Itself

Here, Yvonne Roen, Mateo Moreno, and Stacia French take pictures of a scene they're not in as Sammy Tunis adjusts herself and Jessica Savage and Alyssa Simon lurk in the shadows.

Above photo by, I think, Iracel Rivero -- the problem is that as people were being photographed, camera were being handed back and forth, so I have no idea at times who took which shot.

Here's one of Iracel, taken with her own camera by, I think, Aaron Baker:

Iracel in the Shadows

So, sorry friends if I don't credit these all properly -- here's another two from Iracel's camera, possibly taken by her, maybe by Aaron - first, the shadows of a flunky (Bryan Enk) and a goon (Roger Nasser):

Shadows of a Goon and a Flunky

As their boss, Louis the torpedo (Jai Catalano), sits in the shadows:

Jai in the Shadows

And the dressing room of The Brick, during the whirlwind visited on it by the regular presence of 29 actors in four shows for four weeks in very VERY little space:

The Brick's Dressing Room

I'll have actual show pictures in the coming days, and some more of these behind-the-scenes ones, too.

collisionwork: (kwizatz hadarach)
Continuing taking quizzes that are meaningless, but fun, and courtesy of [livejournal.com profile] skzbrust, one that turned out to be very very predictable:



You are The Magician


Skill, wisdom, adaptation. Craft, cunning, depending on dignity.


Eloquent and charismatic both verbally and in writing,
you are clever, witty, inventive and persuasive.


The Magician is the male power of creation, creation by willpower and desire. In that ancient sense, it is the ability to make things so just by speaking them aloud. Reflecting this is the fact that the Magician is represented by Mercury. He represents the gift of tongues, a smooth talker, a salesman. Also clever with the slight of hand and a medicine man - either a real doctor or someone trying to sell you snake oil.


What Tarot Card are You?
Take the Test to Find Out.




Yeah, so when I mentioned I'd taken this quiz, Berit said, "Oh, so what were you, The Magician?" Yeah, pretty obvious. Then she took it and called out "Bullshit!" She had got The Star. Uh, yeah, that dog don't hunt.

collisionwork: (music listening)
Whoa. For once, I've actually been able to sit back and relax once up here and away from NYC. Not even worrying so much about what COULD possibly be happening that MIGHT be disastrous for me back home.

Good.

So, a morning Random Ten from the iPod now at 20,766 songs, 72.32 gigs:

1. "I'm Allergic to Flowers" - The Jefferson Handkerchief - Pebbles Volume 3 - The Acid Gallery
2. "My Way of Loving You" - Wallace Collection - Laughing Cavalier
3. "I Am" - Molesters - Plastic 7"
4. "Bloody Mother Fucking Asshole" - Martha Wainwright - Martha Wainwright
5. "Eloise (Hang On In There)" - William Bell - Soul of a Bell
6. "Get Back" - Laibach - Let It Be
7. "On the Road Again" - Andy Prieboy - ...Upon My Wicked Son
8. "Town Talk" - Ken Woodman & His Picadilly Brass - That's Nice
9. "You Were Born for Me" - The Tunespinners - Oceanic Odyssey Volume 09
10. "Baby, Baby Don't Cry" - The Miracles - Hitsville U.S.A., The Motown Singles Collection 1959-1971

Meanwhile, a couple of links from our Rotten Sons of Bitches Department . . .

[livejournal.com profile] toddalcott, as always, writes something smart, in this case about Katrina, two years on, and what he's learned about the government as a result.

And shortly after Alcott's opinion piece, I was led by Jason Grote to a lovely piece of investigative journalism by Matt Taibbi that just seems to confirm all of Alcott's (and my) worst suspicions about the Administration's view of its job not to be the steward of this country, but to enable its cronies to loot as much from the Treasury and taxpayers as possible during their stint, and then get the hell out of Dodge and leave the mess to be cleared up by others. Depressing and enraging.

Some pertinent lines from a film noir (I forget which one) that I quoted in WGW/WGW:

THOMAS ARNOLD, the gangster-businessman: When I spill a drink on the carpet, the maid cleans it up for me.
NED DALEY, the honest private eye: When you spill blood, your lawyer is expected to do the same.
THOMAS ARNOLD: Exactly.


And from the Department of Cheering You Up After That Department, [livejournal.com profile] imomus has let me know that you can find the entire (hysterical) series The Japanese Tradition on YouTube. I have one of them on videotape, "Sushi," with an English-dubbed soundtrack -- which, frankly, I think increases the deadpan humor of the "trying to educate foreigners about our ways" -- but it only seems to be up on YouTube in Japanese with subtitles, and here it is:



There are more in the series, which I haven't watched yet, but I'm glad to know they're all there. Judging from the comments on them I see at YouTube, a LOT of people don't get the joke, and are confused or angered by them. Berit has often commented on how well the British and Japanese do this kind of deadpan humor that so many in the USA don't get (though judging from some of the comments, it's Japanese who are angered by the series - "Don't tell lies about us!"), and Momus, in his piece on these, makes the excellent comparison to the British Look Around You series. Well, I like them. A lot.

Also, from [livejournal.com profile] toddalcott again, a cheering-up link that made my morning, and will serve for this week's Friday Cat Blogging In Absentia, HERE.

Enjoy.

collisionwork: (comic)
Best unintentionally-funny headline I've seen in a while just came up in my blog reader, from the "front page" of the online New York Times.

Or was it unintentional? You decide . . . on this article about the Yankees beating Boston with the help of their new pitcher:

"Yankees Sweep Red Sox Behind Wang"

collisionwork: (comic)
Jason Grote, over at The Inauguration of the Jason Grote Dome, posted links to two comics he found online. He doesn't have much info on them, so I don't really know who did this one, but I wanted to share it:

Safety Tips from Anubis

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