collisionwork: (music listening)
Reminder for those who care and need one -- tomorrow, at 3.00 pm, Marc Spitz's The Hobo Got Too High returns for a free performance at The Brick. Then at 5.00, I'm doing my solo performance of Chekhov's In Moscow (A Moscow Hamlet) - I thought there'd be more stuff going on at The Brick and elsewhere for the WPA Fest in the afternoons the next two days, but apparently not, so I'm out there on my own somewhat. Maybe someone'll show up. (Ah, I just checked the updated WPA site and there are more things going on tomorrow . . . great, I don't feel so alone!)

In the iPod now: 20,560 songs, 72.66 GB. I'm trying to cut down all the fat more and more as I add things. Doing pretty good, eliminating 2 or 3 songs for every one that I add, but at some point I'm going to run out of ones to cut . . . Oh, well, here's ten for the morning:

1. "Sandals in the Sand" - The John Shakespeare Orchestra - Hotel Easy Vol. 4: Saint Tropez—Paco's Poolside Bar

Dopy 60s Brit instrumental. This will go when I get to "S" as I cull out stuff from the iPod (I'm in the middle of "O" currently). If I remember when I get there.
2. "Shut Up" - Eddie Warner - Le Jazzbeat! 2

Non-dopy 60s instrumental, probably English. Now this is the kind I like that I get these compilations for (and end up with a handful of ones like #1 above). Exciting, spy-movie-esque, with a hint of moog. Cool.
3. "Memphis" - The Rolling Stones - Clean Cuts - Vol. 2

Pleasant loping early cover by some cleancut-sounding young men. Mick seems to have almost all the lyrics, with an exception or two ("the phone boy took the message and he wrote it on the wall"?).
4. "Peppermint Twist (Part 1)" - Joey Dee & The Starlighters - Land Of 1000 Dances vol. 1

Hmmmn. Maybe The Brick theatre needs its own dance step and theme song. "The Metropolitan Hop?" "Do the Brick (parts 1 & 2)?" "Lorimer Slide?"
5. "What Is Life" - George Harrison - All Things Must Pass

I miss George. This album can be a mixed bag, with the Spector production doing great by some songs (like this one) and swamping others, but if I had to pick one album by an ex-Beatle for a desert island or something . . . well, this is in the lead, I think.
6. "Empty Heart" - The Mods - So Cold!!! Unearthed 60s Sacramento Garage

A fine slice of spiteful teen-angst trash. Yeah, from the "Mods." From Sacramento, CA.
7. "Monks" - King Missle - Failure

Underscored humorous monologue that gets tiresome quickly then comes back with a twist that makes it all worth it.
8. "Pills" - New York Dolls - New York Dolls

A favorite. If you're going to cover Bo Diddley, you have to be at least this good.
9. "No More Now" - The Smoke - Nuggets II: Original Artyfacts From The British Empire And Beyond, Vol. 4

More teen trash.
10. "Seattle" - Public Enemy Ltd. - Happy?

(aka "Get Out of My World") Ah, yes. Memories of the 80s. John Lydon remains John Lydon, slick production or not.

God, tempus fugits away when you're wasting time online. I have to get over to The Brick to clean up the place for the weekend and work on my lines there, as there's something more effective about working on lines in a theatre itself than at home (luckily, I still seem to have Hobo down and In Moscow is coming back a lot faster than I was afraid it would - I last performed it in 2001). There's a rehearsal in there from 12 - 3, but even sitting in the dressing room or behind the bar is better for doing line work, I've found, then being at home and easily distracted. So, off I go like a hoid of toitles . . .

collisionwork: (GCW Seal)
Hitting Williamsburg for the next two weekends (September 22, 23, 29, 30) is the 2nd Annual WPA Free Fest --

That is, a free festival from the Williamsburg Performance Alliance, where seven performance spaces/organizations in Williamsburg will open their doors all day and night to host free performances.

The home page is HERE (though it's not entirely updated as I write, and still has a lot of things from last year on there, but I'm told it'll be all set shortly).

The Brick will be participating on the first weekend in the evenings with their week of productions of Suzan-Lori Parks' 365 Days/365 Plays.

And also . . .

Gemini CollisionWorks will be participating on Saturday, September 22, with two free performances. At 3.00 pm, the return of

hobocardfront

directed by Ian W. Hill

performed by Ian W. Hill, Rasheed Hinds, Roger Nasser, and Jessica Savage. 70 minutes long, no intermission. Not appropriate for kids. Really.

Returning from August, and (we hope) prior to more shows later this year, you have a chance to see this popular comedy for free now. It's our "loss leader," cause we think you'll wanna come back and pay the sawbuck later, and bring your friends . . .

(more info on this show below)

and at 5.00 pm:

Ian W. Hill performs the monologue In Moscow (A Moscow Hamlet) by Anton Chekhov, translated by Carol Rocamora. 20 minutes long.

Nasty, funny, bittersweet, tragic, satiric - the essence of Chekhov in 20 minutes, as an aging bohemian examines his own boredom, his own flaws, and his talent for appearing talented while knowing nothing in a cultural world that knows even less than he. As appropriate (or more?) to Williamsburg in 2007 as to Moscow in 1891.

Did we mention they're FREE?

Come on by and check us out, and go by some of the other participating spaces before or after and see what they're doing (also participating on both weekends: Vampire Cowboys/The Battleranch and Soundance at The Stable; participating on the second weekend: Triskalion Arts and WAX).

My shows are at

The Brick

575 Metropolitan Avenue, Williamsburg, Brooklyn

right by the L Train (Lorimer) and G Train (Metropolitan/Grand) stops

WARNING: Both shows feature the brief smoking of (legal in NYC but potentially annoying) herbal cigarettes onstage. It's actually important to both shows and the characters in them and it just looks silly mimed. Hope that's okay with you.

**********

The Hobo Got Too High by Marc Spitz

directed by Ian W. Hill

3.00 pm - Saturday, September 22 -- The Brick

Bug Blowmonkey loves music. Bug Blowmonkey loves a woman. Bug Blowmonkey loves cocaine. Two of these things are good for him, but the other one is messing him up. Bad. Wanna take a guess which one? Bug knows the blow is taking him down a dark path, but can't quit it on his own. Luckily, he has a spirit guide to help him out of his hole, and towards the "light" he seeks: Marvin Gaye. Granted, Marvin is also a drug-addled paranoiac (and dead for 20 years), but beggars can't be choosers when it comes to spirit guides, it seems. Will Bug, with the help of Marvin Gaye and a stuffed buffalo in The Museum of Natural History, be able to overcome his addiction and fight the haunting, taunting spirit of the girlfriend he lost to win the heart of a new woman in his life, who may be able to save him from himself? Will he find his "light?" Will he figure out why every person he sleeps with has a tail? Will this whole story be told in a fast, jumpy, non-linear style, full of hysterical one-liners and astonishing situations?

At least three of these questions will be answered in a viewing of Marc Spitz's play, The Hobo Got Too High, staged by Ian W. Hill. Spitz -- often described, probably to the point of his being tired of it, as "a downtown Oscar Wilde" -- is known for a distanced, ironic, comic sensibility in his plays. Hill -- often described, with deep inaccuracy, as a protege of Richard Foreman -- is known for a stylized, abstracted, presentational directorial style. What do these two share? A deep love and understanding of rock and roll music, and a hidden romantic, sentimental side. Put them together in this play, and you get a production that feels like a great eclectic mix tape, moving from the lugubrious sadness of Leonard Cohen to the jumpiness of The Velvet Underground to the wistfulness of Michael Nesmith to the pure pop of The Lightning Seeds to the deep soul of Marvin Gaye.

The Hobo Got Too High is an hour of sex, drugs, rock and roll, romance, non-sequiturs, vast numbers of curse words, retractable penises, and an appraisal of Diane Lane's breasts. Come see it FOR FREE in the WPA Free Fest!

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