collisionwork: (Default)
And late again, but having a nice rest after another weekend of Androids at 3 Legged Dog. It is, for me especially, a fairly easy show, and the whole thing now hums along like a well-oiled machine (usually), but it still somehow seems to take up for time and energy in the day than it should. It's been fun though - nice to act in a show that's getting such good reviews and that the audiences mostly seem to like (very different reactions from audience to audience, still can't gauge how they're going to react from night to night, however I now seem to have at least one sure-fire laugh line that always does what I want it to).

Which of course is also nice when you're consistently selling out a house of close to 100 seats. That makes for a good laugh from the crowd.

I was planning to take lots of behind the scenes shots at the show, but it wound up not quite being so photogenic backstage as I'd thought -- or when it was, there wasn't enough light or time to get a shot. Here's Moira watching Alex and Yvonne during tech:
ANDROIDS tech 1

And our fearless production crew (Berit in foreground) hacking their way through the difficult tech:
ANDROIDS tech 2

Moira appears to be sticking her tongue out at me as she and Trav S.D. wait and wait and wait (patiently) for the chroma-key to be worked out for their "Buster Friendly Show" segment:
ANDROIDS tech 3

And a blurry shot that still suggests how crazy the tech table/crew situation was out in the house as the show was put together, with lights, sound, live music, and projections all trying to be worked out together (as the set continued to be built, up until - and past - show opening).
ANDROIDS tech 4

The other night was the benefit party, and VJ Fuzzy Bastard did some slick video mixing on one of the screens for us:
VJ Fuzzy #1

And just the screens and set:
VJ Fuzzy #2

Only three more shows, Wednesday-Friday, and they're just about sold out. Nice.

Apart from the show, we've been variously watching a circling playlist of about 15-20 old TV shows on Netflix Instant -- Soap, Archer, old SNLs, NewsRadio, Black Adder, the Jeremy Brett Sherlock Holmes episodes, etc.; definite TV comfort food -- while also making our way through the BBS Story box set (last night was Five Easy Pieces, which I'd never seen before, and WOW), and also gradually through a Netflix disk/instant chronological playlist of 130 western pictures from 1939 to 1976.

I don't know what the Western-watching is for yet, though I've started making notes of interest and taking down interesting lines of dialogue. A theatre piece might emerge from this. I was just aware that my knowledge of the Modern American Western Movie was less than it should be, and wanted to get to know the genre better. It was INCREDIBLY important for several decades, more than the regard it's held in now would indicate, and I think that understanding certain aspects of America itself, let alone Movies, isn't possible without a knowledge of the genre that most of us born post-its-heyday haven't got.

So we're up to 1947 or so, and about 8 movies in, I think. Actually, the WWII period wasn't all that great for Westerns (as film noir, on the other hand, was being created and thriving) and post-Stagecoach it took a few years for filmmakers to figure out how one actually made a "serious" film in the genre (it seems to have taken Ford's return with My Darling Clementine to get it really started). So we've been sitting through a bunch of "major" films that aren't all that good, but are still valuable to know. Who knows where this will go, if anywhere, but it's an enjoyable study.

And here's a Random Ten for the week from the playlist of 2,519 tracks on the iPod that haven't gotten a spin there yet (actually, there's 10,994 tracks on there that haven't been played yet, but these are the ones I'd actually most like to hear), with links to videos for the songs, or as close as I could get by the artists (same album or period, whatever):

1. "Fish Eyes " - Shonen Knife - Happy Hour
2. "Around The Fire" - Pere Ubu - Worlds In Collision
3. "Red Rain" - Peter Gabriel - So
4. "Big Bands" - Sparks - Halfnelson
5. "Golden Brown" - The Stranglers - La Folie
6. "Moisture" - The Residents - The Commercial Album
7. "Hold Me, Hug Me, Rock Me" - Shocking Blue - Beat With Us
8. "What Is The Secret of Your Success?" - The Coasters - Fifty Coastin' Classics
9. "Hot Rock Theme" - Quincy Jones - The Hot Rock
10. "Shorty Falls In Love" - Dan Hicks & His Hot Licks - Original Recordings

And here's the video playlist of the above (or as close as I could get - and, as always, if you're reading this on Facebook you'll have to click through to the Livejournal to see the embedded videos), with bonus Linton Kwesi Johnson:



And, finally, I do have one new cat picture to share -- Hooker on a pillow that was new at the time (or at least, had newly appeared out of an old prop box -- I think we got it for Hamlet in 2007), but now already has an immense tear from end to end:
Hooker's New Pillow

Tonight, I schlep on over to The Battle Ranch to watch a runthru of Bethlehem or Bust so I know what I'm doing when I come in Saturday morning to light it for the FightFest right before it opens. This should be fun.

Can't believe this year is almost over -- it's been a long one. Did B and I actually get married only a few months ago, and then do the two biggest shows we've ever produced? Seems like years now . . .

collisionwork: (star trek)
One of those times of great busyness interspersed with periods of waiting is upon me again. This includes my performance in Do Androids Dream of Electric Sheep?, where I am onstage for 3 scenes of the 11-scene play, and in fact only "onstage" for one of those (in the other two, I am off to the side of the stage, facing away from the audience into a video camera as my face is projected out on "vidphone" screens for the audience/other actors to see -- and one of those is a quick two lines).

I don't mind; it's an enjoyable show to be around, I like my main scene a lot, and it's something to do, though I feel a bit more distant than I'd like from being TD at The Brick right now -- the Target Margin people have needed my help a few times now, and I've had to handle everything by cel, text, and/or proxy, as problems always seem to come up at The Brick during times when I am stuck on Androids, and not in the downtime around it. Luckily, the Brick problems have been handled fine right now, but not without stress.

On shows like Androids where I will have to spend a lot of time offstage (especially as right now when we are in a long LONG stop/start difficult tech period), I try to find a quiet, dim, solitary location somewhere where I can huddle between working moments and concentrate or relax (or both). As with my own Summer shows this year, the set for Androids is so huge and takes over so much of the space that there is not much in the way of "backstage" - there's space, but if you stay in almost any one place, you're going to be in the way of a projector, a camera, or someone's quick change/quick cross.

I could go to the dressing room for the actors between my scenes, but those scenes are a bit clustered together, and I'd rather not leave the space if I can help it while my performance is in progress (also, the dressing room is bright, white, and not very relaxing). So I've staked out an odd location, lying down on the wooden entrance ramp behind the set by the door to the theatre where the audience will enter. It's a little odd, but I'm used to it and don't care -- I've gotten used to cramming myself in whatever space I can backstage to maintain calm and distance during shows (I've spent the downtime during a few shows in coffinlike spaces below the stage platforms). Though, as often, my desired relaxation/meditative state is mistaken for exhaustion/sleepiness by others in the cast & crew -- it's not, usually, I just prefer quiet around the work as much as I can get it. Which isn't often.

While relaxing backstage, I've been studying Mac Wellman's beautiful monologue Terminal Hip, a "spiritual history of America through the medium of Bad Language," which I am hoping to have memorized and be able to perform for this coming August. If I get a page down every two weeks, I should have it memorized by May, which would be essential if I'm going to try and do the 40-minute-or-so thing as my only acting work onstage this coming year, as I'd like.

This might seem not a major memorizing problem, but Mac's monologue is an abstracted form of English (not at all "gibberish" as one annoying reviewer I found online called it), so it's almost 20 pages of lines like these (the opening lines, which I'm copying from memory, I think correctly):

Strange the Y all bent up and dented.
Blew the who to tragic eightball.
Eightball trumpet earwax and so forth.
Pure chew, loud thump, and release pin.
Grabity gotta nail him too sure.


And so on for 20 pages. So it's a difficult learn. I know what most of it means, at least to me (not literally, but emotionally and through-line-ly), so if I keep that in mind and get the rhythms into my muscle memory it seems to stay in there. I have most of the first page down already. Once we start actually running the show with the proper light cues however I probably won't be able to see to read through most of the show, so I'll just lie down and concentrate on what I already know during those times. So this is a nice quiet meditative thing to do as I lie on my itchy wooden ramp.

And, while I'm not regular enough here to continue to make this a "Friday Random Ten," here's the next in a random-day Random Ten, from the "unheard" playlist on the iPod:

1. "Crimson And Clover" - Joan Jett & The Blackhearts - I Love Rock N' Roll
2. "I Get Wild/Wild Gravity" - Talking Heads - Speaking in Tongues
3. "Key To My Heart" - The Coasters (as The Robins) - I Must Be Dreamin'
4. "Girl God" - Redd Kross - Show World
5. "Why Do Girls Love Horses" - Adam Ant - B-Side Babies
6. "Un'avventura" - Wilson Pickett - download
7. "Direct Action Briefing" - 999 - 999
8. "Treat Her Right" - Otis Redding - The Soul Album
9. "Friends" - Gary Numan & Tubeway Army - Tubeway Army
10. "North Winds Blowing" - Stranglers - Aural Sculpture

Here's a the full video playlist of the above (minus the Robins track, which you can see if you watch this on YouTube rather than here):



Now, after a long lazy day of getting myself together here, I am late to clean up and get to the theatre. Grrr. On my way . . .

collisionwork: (prisoner)
Missed a week's update while working on other matters -- both Do Androids Dream of Electric Sheep? and some personal things. Berit and I now have two large, lovely cabinets in our living room and have to rearrange our whole apartment around them. The apartment needed it anyway (and has needed it for the past 7 years), so it's a good move.

Today I had a good time over at 3 Legged Dog, where Androids is going up, helping out by setting up the sound system -- the show uses 7 wireless mics, so I had to get the mix board, the receivers, and the mics all in order and arranged. Certainly a pleasure to work with the VERY nice equipment at 3LD.

Androids unfortunately does appear to be keeping me away from seeing, at least this week, work from one of my favorite theatre companies FINALLY happening at my home base, The Brick, as Target Margin brings their lab series -- which I got to help make happen at NADA a couple of years in the late '90s -- to the space. This week, it's a play by Kandinsky, next week Mozart, the week after that, Clyde Fitch. Maybe I'll get to the Fitch . . .

And today, a Random Ten from the as-yet-unplayed playlist in the iPod -- now down to only being 6.1 days long!

1. "69 Année Erotique" - Serge Gainsbourg - De Serge Gainsbourg A Gainsbarre
2. "I Can't Wait Until I See My Baby's Face" - Dusty Springfield - One Kiss Can Lead to Another: Girl Group Sounds Lost and Found
3. "Bongo City" - Slim Gaillard - Laughing In Rhythm, #4 - Opera in Vout
4. "Our Drab Ways" - Jonathan Richman - Because Her Beauty Is Raw And Wild
5. "Coca-Cola Commercial 1969 #2" - Ray Charles & Aretha Franklin - Coca-Cola Commercials
6. "Below The Belt" - Minutemen - Post-Mersh, Vol. 3
7. "Shall We Take Ourselves Seriously?" - Frank Zappa - Buffalo
8. "Time Will Show The Wiser" - Fairport Convention - (Guitar, Vocal)
9. "Did You See His Name?" - The Kinks - Club Au-Go-Go 10
10. "Street In The City" - Pete Townshend & Ronnie Lane - Rough Mix

And here's the full video playlist of the songs above, or as close as I could get to them . . . (as always, if on Facebook, check the original post on LiveJournal to see the video):



And now back to catching up on a suddenly full inbox of email (I'm beginning to have to work with companies for the December FightFest at The Brick).

collisionwork: (mary worth)
Well, missed a weekly checkin last Friday . . . Berit and I were away in Maine still, but with so little happening, except for us vegetating and considering the past and future while letting the present amble by for a bit, there seemed to be less cause than usual to check in. Also, while we had two computers with us on the road, Berit had commandeered the better one (which is the one I kinda need to do the Random Ten properly) last Friday, and I was happy to skip the week.

More and more there may be less cause for this blog, especially during the downtime from our own season. When I started it, it seemed needed because all the theatre blogs were very theoretical and high-minded, and I wanted a journal of the practical day-to-day aspects of making theatre, including accounts/thoughts on the things in my life that feed me and make me able to do the work. Now, those theatre blogs that are still around are pretty much just as informal and informational, so I have less to say.

Of course, what I'd like to say most of the time now is more theoretical and high-minded. Ha ha.

But I will keep it all going, as I like the weekly checkin, the Random Ten, the place to post cat pictures, and a place to set some of my thoughts on what I do in public.

I still have thoughts to process on my work this year and put out, both regarding my three pieces, and how they worked and didn't, and my continuing improvisation work with David Finkelstein, which wound up, as I hoped and expected, affecting my acting in my own pieces, and for the better (when I remembered to use the process, and didn't get distracted into my worst actorial habits). I still have to find the right way to put these thoughts in order before I share them. But I will share them.

We also started work on the UTC#61 production of Do Androids Dream of Electric Sheep? last night, which Berit's stage managing/prop designing and I'm acting in. Just a first reading and some text work on two of my scenes -- I'm not in it much, but the part is good, and the show looks to be good too. It will be great to work at 3LD, with all their advanced video projection technology (which is a major part of this show).

In the meantime, here's a Random Ten for this week, from among the 2,688 tracks in the iPod from favorite artists that haven't been played yet . . .

1. "I Just Want To Have Something To Do" - The Ramones - Road To Ruin
2. "Hey Now" - Talking Heads - True Stories
3. "Cannon Song" - Raul Julia & David Sabin - The Threepenny Opera
4. "You Tripped At Every Step" - Elvis Costello - Brutal Youth
5. "Betrayal Takes Two (1977 demo)" - Richard Hell & The Voidoids - Time
6. "Reaching into In" - Ken Nordine - The Best of Word Jazz Vol.1
7. "My Kind of Woman" - Edwin Starr - Northern Soul: The Cream of 60's Soul
8. "Greenwood, Mississippi" - Little Richard - Get Back Up Again 5
9. "He's the One" - Ike & Tina Turner - MOJO: Raw Soul
10. "Making Flippy Floppy" - Talking Heads - Speaking in Tongues [Remastered]

And while we have no new cat pictures as yet, I have some shots from Maine of me with Sasha the Dog:
Sasha & Me 2

It was hard to get her to hold still long enough to not just be a blur, but we got a couple . . .
Sasha & Me

And here she is with Christopher Lee in The Devil Rides Out behind her . . .
Sasha & Christopher Lee

And okay, I have no pictures of my own cats, but here's two kittens playing a special Halloween organ duet . . .



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