collisionwork: (Default)
In the morning I have to get up early for tech for this month's episode of Penny Dreadful - once again I'll be running this week's tech solo, without Berit, as she's off on another show for Edward Einhorn/UTC#61 that will conflict with the Sunday matinee (so we'll each be running tech for shows starting at 2.00 pm on Sunday in two different theatres, immediately following going to a funeral for someone we cared for very very much that I don't want to discuss here, so we'll be in great shape to run board . . .).

So I might as well handle the regular Friday post right now.

Another Random Ten from out of the iPod - like last week (and from now on, I think), I'm including links to more info about the songs, including, where I can find them, the songs themselves. Unlike last week, the majority of the songs (and even some of the artists) were unlocatable online -- enjoy what's here:

1. "Soultown" - The Forevers
2. "The Most Unwanted Song" - Komar & Melamid and Dave Soldier - The People's Choice Music
3. "It's So Nice (previously unreleased, demo)" - The Beau Brummels - San Fran Sessions (1964-66)
4. "Danny Alone (from "Edgar Wallace")" - The Peter Thomas Sound Orchestra - Film Musik
5. "Go 'Way Girl" - The Damascans - Quagmire 3
6. "Jezebel" - Teddy Boys - Garage Punk Unknowns
7. "Gonna Die With My Hammer In My Hand" - The Williamson Brothers & Curry - Anthology Of American Folk Music, Vol. 1B: Ballads
8. "Girl You Better Go for Yourself" - Anita Humes & The Essex - Girls Will Be Girls Vol.1
9. "Discrepancy" - The Music Machine - The Bonniwell Music Machine
10. "Love Attack" - Konk - Bright Lights, Big City

And yet once again, I can't find a necessary item to upload my new photos to the computer, so no pictures today. Maybe soon.

Penny Dreadful is winding down, and the episodes are getting longer and more complex as the many plot threads are being tied up. This week's is a doozy, and explains much. Hope to see you there.

collisionwork: (vile foamy liquids)
Hmmmn . . .

Which creature of the night are you?
Your Result: Sorceror
 

Control is the name of your game. You are a studied tactician and scientist and you seek a kingdom where things make sense, damn the morals, even if you have to create it. You are cold, calm and calculating.

Incubus/Succubus
 
Ghost
 
Cthulu Spawn
 
Vampire
 
Werewolf
 
Demon
 
Which creature of the night are you?
Quiz Created on GoToQuiz


(h/t [livejournal.com profile] amygrech)

collisionwork: (welcome)
Tonight, The Granduncle Quadrilogy opened with a fine show and a great, appreciative audience at The Brick.

It was followed by the announcement of the theme for our 2009 Summer Festival, coming June 5-28.

Michael Gardner created a Powerpoint presentation we projected on the screen, which has been going around the Brick staff this week, and here it is as a movie (which for some reason messes up the transitions a bit, but whatever), the 2009 Festival Theme . . .



I won't be doing anything for this Festival, but I will be presenting my own Gemini CollisionWorks festival once again soon after - this year from July 31-August 23.

Appropriately, as a corrective to the above Festival, my four weeks of (I hope - rights, energy, and money depending) four shows is tentatively known as The Bummer Festival, and comprises:

A Little Piece of the Sun, by Daniel McKleinfeld, a documentary play (nuclear disaster and serial killing!)

George Bataille's Bathrobe, by Richard Foreman (political prisoners and impending death!)

Blood on the Cat's Neck, by Rainer Werner Fassbinder (symbolic and literal vampirism!)

and Spacemen from Space, by Ian W. Hill (space opera as metaphor for anti-intellectualism!)

Fun for the whole family!

UPDATED 12/9/08: Better version of the video embedded - shorter, with punchier timing.

collisionwork: (Laura's Angel)
Forry Ackerman died late Thursday night.

I wrote about what this man and his magazine, Famous Monsters of Filmland, meant to me when I was growing up a couple of years ago, on the occasion of a Blog-a-Thon celebrating his 90th birthday, HERE.

Famous Monsters #20

There are already many tributes online already, and here are some of the better ones I've seen:

L.A. Times obituary.

Science Fiction Writers of American obituary.

Various salutes at Ain't It Cool News.

The farewell thread from the Monster Kid Classic Horror Forum.

I wouldn't be doing what I'm doing today, and be who I am, without Forry and FM. He had a hard time the past two decades, and had been preparing to leave after a very long and full life for a couple of months now, and quite publicly, but it still hits hard tonight. I'll miss a world that had 4SJ in it.

Famous Monsters #23

collisionwork: (boring)
Having blown so much saved stuff in last night's post, a simple Random Ten today, with a new feature - lots o'links to recordings of the songs or info on the songs and artists (where available). Little more useful, eh?

So here, from out of 26,109 tracks in the iPod . . .

1. "Dignity (unreleased version)" - Bob Dylan - The Bootleg Series, Vol. 8: Tell Tale Signs
2. "I'll Take New York" - Tom Waits - Frank's Wild Years
3. "Rien Ne Va Plus" - Funk Factory - What It Is! Funky Soul and Rare Grooves
4. "Come On Down" - Greg Perry - One For The Road
5. "The Vultures Ate My Dead Ass Up" - Wesley Willis - Greatest Hits Volume 2
6. "Soul On Fire" - LaVern Baker - Atlantic Rhythm & Blues vol 2 1952-1954
7. "Refrigerator Heaven" - The Freeze - Token Bones
8. "Me Siento Mal Y Deprimido" - Knacks - WorldBeaters 7
9. "Suspense" - Johnny Brown & The Joy Boys - Swing For A Crime
10. "Sammy's Theme" - Shawn Lee's Ping Pong Orchestra - Ubiquity Studio Sessions Vol.1—Music and Rhythm

And here's a kitty photo I just took a few minutes ago -- Hooker is happily using Berit's foot as a pillow/chinrest:
Hooker the Wise Haz a Chinrest

And some more videos . . .

A man turns a carrot into a clarinet )



Okay, how about the same guy turning a rubber glove into a bagpipe? )

Or maybe an except from the band Pere Ubu's musical stage adaptation of Jarry's UBU ROI, BRING ME THE HEAD OF PERE UBU, with images by The Brothers Quay )

Tonight, Granduncle and the Festival Announcement Party at The Brick. Tomorrow, Beach Blanket Bluebeard at the Voorhees in downtown Brooklyn.

Please come on by.

collisionwork: (angry cat)
Feeling a bit burned-out this evening, so, my work pretty much done, I skipped out on tonight's first public preview performance of The Granduncle Quadrilogy: Tales from the Land of Ice to rest at home, fix my photos from Tuesday night's dress/tech in Photoshop, and write a post about more things going on in which I can also dump a bunch of videos and photos I've been looking at. Most of this has been taken care of, more slowly than anticipated as I've also had to spend time paying attention to a demanding and vocal pussycat (see icon photo). Little bastard.
Granduncle 1 - Kissel Forced Under the Ice

In any case, tomorrow will be the big opening night for the show, with a party at 10.00 pm afterwards which will also act as The Brick's year-end holiday party with the annual December ANNOUNCEMENT OF THE SUMMER FESTIVAL THEME. A Summer festival to follow our previous ones: The Hell Festival, The Moral Values Festival, The $ellout Festival, The Pretentious Festival, and this year's The Film Festival.
Granduncle 2 - Walrus Ceremony

Yep, we'll party a bit, then we on The Brick's staff will play a little Powerpoint presentation that's been made up to announce next year's theme (it's a good one!), then we'll party some more.
Granduncle 3 - Not Asleep

So come on by to The Brick tomorrow for Granduncle at 8.00 pm (info at link above) and the party at 10.00 pm. Can't make the show tomorrow? Come by for the party and see the show later.
Granduncle 4 - Arriving in the Village

photos by me from Tuesday's dress/tech, with unfinished props & costumes - more of my shots HERE -- official production shots by Ken Stein are HERE

New York magazine had a nice mention of us recently in an article about independent theatre, "Big Ideas, Small Stages." We were very glad to be mentioned and put with some pretty august company, but were a hair taken aback to be described as primarily a "Festival Factory." I guess we are getting a bit heavy on the Festivals - we now have three yearly regular ones, the Summer Themed, the Tiny (which is really the Ontological's Fest but we're a co-producer now) and the Clown Theatre. We've also had two biennial Baby Jesus One-Act Festivals and been a venue for the Havel Festival. We have another potential themed festival coming for late next year . . . not to be mentioned as yet. So maybe the "Festival Factory" tag is indeed deserved. As someone at another theatre I once worked at told me, "New York responds to festivals."
The Brick

We put a lot of thought into our Summer festival - that is, coming up with the theme. Ideas start being tossed around for the next one immediately after one ends (actually, once one opens). Jeff Lewonczyk has posted a list of some of the festival theme possibilities that were put into play among the seven of us on the Brick staff HERE. Are these serious? You'd think not, but maybe you'll change your mind when you hear this year's final theme . . .

(and 11 of the 26 themes listed by Jeff come from Berit and myself - we have lots of ideas, many of them dubious; B&I had nothing to do with the final one chosen -- the others on staff are good at picking a good one from amongst the many losers)
Blitzer's Losers

Saturday night, as mentioned, I'm off doing Trav S.D.'s Beach Blanket Bluebeard - come see, it's FREE! - previous entry has info - but I'm hoping to soon get to the new Greg Kotis holiday play at The Kraine, The Truth About Santa, which stars Greg, Ayun Halliday - his wife and an amazing writer/performer as well, and their two kids, India and Milo Kotis, with others, including Bill Coelius, who, with Ayun and Greg, was part of the NY NeoFuturists group I hosted, knew, and loved so much at Nada back in 1996. I miss a lot about those great days of theatre overload on the LES, but especially watching Greg, Ayun, Bill, Rob Neill, and Rachelle Anthes knock so many great short plays out in that little space.

And on top of that, this play is directed by John Clancy. Info is HERE
Let My God Love You

(courtesy LP Cover Lover)

Lots of good things have shown up on YouTube recently, and here's some of them - a WHOLE BIG BUNCH of them - behind cuts for those of you who tell me videos make your browser go all wonky . . .

Four videos of Talking Heads as a trio - 1976 - at CBGB and The Kitchen )



David Byrne interviews Jeff Koons, Vito Acconci, Jeff Turtletaub, and Chris Frantz in his loft at 52 Bond Street, Summer, 1975 )

Slinky Cat and Tail-Chasing Cat )

Pete Drake invents the Golden Throat years before Frampton Came Alive )

The Thanksgiving Day Parade gets Rickrolled )

An Icelandic Cult is Joined by a Special New Member )

Who Does the Singer from LCD Soundsystem Vaguely Sound Like? )

There are so many things to be excited about!
Scary Face

(courtesy my favorite photo blog, the great [livejournal.com profile] breadcamesliced)

collisionwork: (Default)
The last three days have been spent mostly on The Granduncle Quadrilogy: Tales from the Land of Ice at The Brick, which I've been lighting, and has turned out to be harder to make look right than I figured.

The set is all white/blue/icy - the floor painted, with curtain "mountain" backing on three sides - and looks great under the fluorescent work lights. Under stage lights, of course, everything bounces everywhere, the color temperature never seems quite right (identical instruments with identical bulbs, diffusion, and everything, can now be seen to be putting out two different shades of very light yellow), and there's a fine line between "enough light to make everything seen properly that should be seen" and "flat and looking like ass."

Most of the show is meant to look cold and harsh, though the show itself is an hysterical comedy - I asked Hope, the director, if she wanted "comedy" lighting (without telling her I hate that - everything bright and cheery-looking because "it's only funny that way") or "deadpan comedy" lighting (or as I also called it, referring to the lead actor in the show, who is brilliantly funny in his flat, affectless tone, "Richard Harrington" lighting). She (and the playwright, Jeff) assured me they wanted the deadpan, cold lighting, as if this was a SERIOUS, HEAVY work, which does work great when I can get the levels just right. I had to shuttle things carefully up and down a point at a time more than usual. After the first tech Monday, Hope asked me to go back and fix a more colored section a bit more to her liking (she was right - I had honestly thought I couldn't get it to look better than I had and I was wrong), and I took care of that last night. Tonight I have to go back to make some tiny little fixes and this'll be done. If I can fix these last little spots that were still bugging me last night (and two that Hope just emailed me about), I'll be happy with my work here.

It's a VERY funny show. Preview tomorrow night, opens Friday. Again, fun-NEE. Great cast, almost all of whom I've worked with many times, just knocking some big laffs out.

Saturday, I'm in a free reading of a play by Trav S.D. Here's the info:

Beach Blanket Bluebeard

When Johnny Guitar shows up to play his way-out music at the local surf-beach, all the kids go wild – and some of them wind up DEAD.

featuring
Gyda Arber, Eric Bland, Bob Brader, Maggie Cino, Cory Einbinder, Rainbow Geffner, Ian W. Hill, Kalle Macrides, Pete Macnamara, Josh Mertz, Dina Rivera, Mike Rutkowski, and Trav S.D.

ADMISSION: Free!

Saturday, December 6, 2008, 7.00 pm

Voorhees Theatre
City Tech
186 Jay Street (near the base of the Manhattan Bridge)

Subway:
C, F, A to Jay Street & Borough Hall
2, 3, 4, 5 to Borough Hall
M, N, R to Lawrence Street/Metro Tech or Court Street

Again, great cast, fun script, sure to be a laff riot.

And now, back to The Brick to finish out my work on the show . . .

collisionwork: (spaghetti cat)
Oh, I was driving most of yesterday and spending the time before and after with family, so no Friday post happened.

I'm trying to get back to the family quickly now, so instead of a new Random 10 now, I'll post the first ten songs that played randomly during our car trip from Portland, ME to Mattapoisett, MA yesterday, from a playlist entitled "Big Blue Plymouth" - named both for the vehicle it's been built for (it's meant to be a good "driving" playlist) and the David Byrne song from The Catherine Wheel.

Berit picked the first song, and let it go on random for there, so I'll extend the "Random 10" by one:

1. "A Slim McShady" - Go Home Productions (Mark Vidler) - GHP Complete . . .

A mashup of Eminem and Macca's "Silly Love Songs."
2. "Oh, Afghanistan" - The Firesign Theatre - Fighting Clowns
3. "Finiancial Responsibility" - American Association of . . . - Drive Like a Pro
4. "New Girl in School" - Alex Chilton - A Man Called Destruction
5. "See Saw" - Aretha Franklin - Respect: the Very Best of Aretha Franklin
6. "The Stooges Live at the American Theatre, St. Louis - radio promo - Psychedelic Promos and Radio Spots volume 4
7. "Alcoa Aluminum Pull-Top-Spot" - The First Edition - Psychedelic Promos and Radio Spots volume 1It's Time for
9. "Shazam!" - Jim Nabors - Shazam!
10. "Payed Vacation: Greece" - Camper Van Beethoven - Telephone Free Landslide Victory
11. "Momma's in the Kitchen" - Slim Galliard - Laughing in Rhythm #4: Opera in Vout

Okay, I'm being called for a family shopping thing . . . gotta go!

collisionwork: (Selector)
Slow week.

Paperwork to catch up on or get ahead of -- getting in Equity things from the Summer shows I should have had done two months ago, applying for money and rehearsal space grants for next year, considering where to go with Spacemen from Space, making drawings for the set of A Little Piece of the Sun, paying off the actors from the 2008 shows as money comes in. And so on.

Berit came back Monday night from seeing her grandparents in Wisconsin for their 60th Anniversary (which made the cats happier), we had a board meeting for Edward Einhorn's UTC#61 Tuesday night, and apart from that, just paperwork and sitting back.

And listening to a lot of music. Got in a Beatles mindset on Wednesday after re-reading Geoff Emerick's book on engineering most of their important recordings and wound up listening to just about everything they made from 1963-1970 (plus the two newer Anthology tracks and George & Giles Martin's Love mashup) in chronological order. Almost 13 hours. Nice to do once a year, while working on other things. Last night, it was Negativland.

Not much else new. Lord Oxford is almost over at The Brick - I'll be hanging out there for the last couple of shows as Berit runs board. It's a good production that's gotten several bad reviews that I don't quite understand. I understand why it could get bad reviews, easily, I get that. But with two exceptions - one good review and one "meh" review - the others I saw seemed REALLY outsized in their hate of the show. Again, I can understand not LIKING it but my god the level of vitriol! - I just don't see this show provoking it. Real surprise to me. I talked to some friends who saw and liked it, who are quite critical themselves - one in fact, a critic, but not there to review the show - and they agreed, though they hadn't seen the reviews and didn't, I think, understand from my description how VERY BAD they were.

It's an excellent production of a script that I think is interesting and well-written and still problematic in some ways, but the actorial/directorial work smooths over a lot of that. I think they still need house these last two nights, so if you can and you're interested, please come on by. The show deserves better than it's gotten.

Berit and I are then on to the next show at The Brick, Piper McKenzie's The Granduncle Quadrilogy: Tales from the Land of Ice, written by Jeff Lewonczyk, directed by Hope Cartelli. Berit's making props, I'm lighting it; I get to see a first runthough tomorrow afternoon. And this, along with the next Penny Dreadful takes away most of December from us for getting away from the city, which we've been trying to do since the start of October. Sigh. We'll just get a few days around Thanksgiving to go to Portland, ME and Mattapoisett, MA and then back. Maybe more time in January-February? Yeah, great time to go vacation in Maine. Well, better than nothing . . .

Brief obit link - artist/illustrator Guy Peellaert, loved best by some of us for the David Bowie Diamond Dogs album cover, is dead. He also did the poster for Taxi Driver, the cover of the Stones' It's Only Rock 'n' Roll album, and the Rock Dreams book - a cartoony, stylized metaphoric view of the history of Rock, most of which can be viewed at his site, which I was glad to find.

Today, in the iPod, 26,096 tracks, almost no space, and these 10 songs came up randomly:

1. "Always" - Tom Verlaine - Dreamtime
2. "The Weatherman" - The Residents - Demons Dance Alone

A sweet, sad beautiful track from the Eyeball boys, sung by a female voice, from this not-as-well-known-as-it-should-be recent album -- The Residents' admitted post-9/11 statement: a concept album where the concept is impossible to define, but is obviously there, just out of reach, with the songs divided into three groups, "Loss," "Despair," and "Three Metaphors." One of my favorite songs of the '00s thus far. Maybe my favorite.

I was watching "Ivanhoe"

When they said the tornado

Blew your big old house apart

Robert Taylor was the star


3. "Got To Get You Off My Mind" - Solomon Burke - Atlantic Rhythm & Blues vol 6 1965-1967
4. "About Me" - The Dovers - We're Not Just Anybody
5. "Pee" - James Kochalka - Superstar
6. "Every Time Woman" - The Human Beinz - Evolutions
7. "Please Don't Touch" - Johnny Kidd & The Pirates - 25 Greatest Hits
8. "Tuane" - Hammer - What It Is! Funky Soul and Rare Grooves
9. "Schoolboy" - "Lost" John Hunter & The Blindbats - Sun Records: The Blues Years 1950-1958 vol. 1
10. "High On Rebellion" - Patti Smith Group - Easter

So I check the camera to see if Berit took any good shots of the cats that I didn't see, and instead I find she's taking photos of me passed out on the couch . . . not as cute . . .
IWH Out Cold

Though she did do one little close up comparing Moni's and Hooker's paw sizes as they were curled up together:
Paw Comparison

So I only have some so-so shots this week of the two of them from the other night, as they sat beside me on the couch, alternating which was asleep, first Moni . .
H&M with Glow

Then Hooker . . .
Awake & Asleep

I have a bunch of videos and other things from here and there to share, but I should be getting on with some other work now, and I might as well spread them all out so I'm not just doing one monster post here every Friday - as sometime winds up happening.

In any case, for those friends who don't know, I want to congratulate all the friends and associates who have suddenly become new parents this past week to month or so -- Frank Cwiklik and Michele Schlossberg (friends and collaborators since NADA in the 90s) on the birth of Donald Shaw Cwiklik; Murphy and Suzanne Gigliotti now have Walker Quentin Gigliotti (Murphy's an even older friend - first person to direct me in NYC back in '86); Milo Barasorda (actor and writer - I've directed him several times) and his wife - who I don't know and haven't met, I think - now have Alexandria Elyse Barasorda; clown and flea circus impresario Adam Gertsacov and his wife Stephanie are joined by little Aaron; and writer George Hunka and Marilyn Nonken have, as George puts it, "welcomed little Goldie Celeste into the building."

Phew! What the hell was up nine months ago?

Oh, wait, right! There IS one video I have to share right now, while I think of it, just 'cause it makes me feel so nice on a cold, blah kinda day:


To be fair, the Google search mentioned at the end is ridiculous unless you enter a few more vectors, but still, oh, SNAP!

Back to work - I have to go to The Brick and sort though some old fabric to see what we should keep and what we should give away . . .

collisionwork: (lost highway)
Doing a late night/early morning post to get the Friday regular things out of the way - I'll be away from the computer all damned day.

I'm driving Berit to the airport bright and early tomorrow for a family trip and then I'm at The Brick handling tech things for Penny Dreadful and Lord Oxford for most of the weekend, handling Berit's jobs as board op for both shows, as well as designing Penny as always.

So I'll deal with the Random Ten and Cat Photos now so I can get 4 hours of sleep or so before schlepping B to LaGuardia airport. Fun fun fun.

No comments on today's Random Ten - nothing about whether I'm dropping them from the iPod or not - I'm doing a whole iTunes overhaul as it is now, and I may just blank the whole iPod and start from scratch. There's 26,034 tracks in there now, and I want to get rid of a couple thousand. Here's the ten that come up randomly today:

1. "Up Side" - ? & The Mysterians - The Best Of ? & The Mysterians: Cameo Parkway 1966-1967
2. "Every Night I Dream A Little Dream" - Eirik Wangberg - The Ikon Records Story
3. "Most Likely You Go Your Way And I'll Go Mine" - Bob Dylan - Blonde On Blonde
4. "Back In Judy's Jungle" - Brian Eno - Vocal
5. "Motorbike Beat" - Revillos - Children of Nuggets: Original ARTyfacts from the Second Psychedelic Era - 1976-1996
6. "Mr. Satan" - Thurston Harris - Little Bitty Pretty One
7. "Communication Breakdown - Led Zeppelin - Remasters
8. "Woodland Rock - T.Rex - History of T.Rex—The Singles Collection
9. "When Love Comes to Town" - B.B. King & U2- King of the Blues
10. "Fedora Satellite" - Pere Ubu - Story Of My Life

And apart from maybe the King/U2 track, these are all keepers anyway, so no reason to make any notes on them today.

Now that the heat's coming back on fairly often, the kitties are enjoying the radiator again - taking turns, and occasionally fighting over it. Here's Moni, taking up as much of it as she can:
Moni on the Radiator

And Hooker looking sweet and innocent, for once, having his turn to get really hot:
Hooker on the Radiator

It was claw-trimming time the other night, so Berit got them and dealt with it. Amazingly, our kitties put up with this ordeal just fine. Usually, and for the most part. Moni got grabbed first . . .
Moni Gets a Claw Trim

. . . and then Hooker, who usually doesn't mind, but put up a bit of a fight (I think my picture-taking freaked him out):
Hooker Gets a Claw Trim

And then they alternated between their fighting and the way they are the rest of the time:
Couch Spooning

Okay, off to bed . . .

collisionwork: (Big Gun)
Every now and then something comes along that makes me believe Satire is dead. That nothing you could make up could ever be as insane and unbelievable as something that someone, somewhere thinks is actually A Good Idea.

And then, once you've gotten used to whatever craziness that was, something else comes along and tops it. Like the following.

This is real. It's from the front page of The Hollywood Reporter (thanks for the pointer, Jeff):

'Monopoly' has electric company
Ridley Scott will direct; Pamela Pettler to write screenplay
By Steven Zeitchik
Nov 12, 2008, 01:00 AM ET

The Hasbro-Universal collaboration "Monopoly" is jumping a large number of spaces up the board.

The feature project has brought on Pamela Pettler to write the screenplay; She penned Tim Burton's "Corpse Bride," Gil Kenan's "Monster House" and the upcoming animated adventure "9," produced by Burton and Timur Bekmambetov.

And Ridley Scott, who has been attached as a producer on "Monopoly" and has been mentioned as a possible director, is now officially attached to helm the project, with an eye toward giving it a futuristic sheen along the lines of his iconic "Blade Runner."

In addition to Scott, Giannina Facio and Hasbro's Brian Goldner are also producing the movie, which will shape a narrative out of the iconic real-estate game. Lawrence Grey will oversee for Universal and Bennett Schneir will oversee for Hasbro.

"Monopoly" marks the latest Hasbro property to look to pass go and head to the big screen. Board games and branded properties have become more attractive as studios look to mitigate risk by finding built-in audiences.

Universal is working with Hasbro on several projects as part of a long-term development deal. Platinum Dunes is producing its feature adaptation of "Ouija Board," while the maritime classic "Battleship" is also in development. Elsewhere at Hasbro, Paramount this summer is set to release Stephen Sommers' feature based on its "G.I. Joe" character. And "Trivial Pursuit: America Plays" is now airing as a syndicated television program.

Hasbro, Scott and Pettler are all repped by WMA.


{sigh} I'm looking into the rights for "Yahtzee!"

collisionwork: (vile foamy liquids)
One of my favorite bands of all time is The Mothers of Invention - the 1960s version of Frank Zappa's band, which flourished (creatively if not economically) from 1965-1969. I know Zappa hated his fans who, like me, preferred his "early stuff" to his later work, but what the fuck, it was yer best work Frankie.

The guys from Steely Dan agreed - when they were inducted into The Rock and Roll Hall of Fame, instead of giving a speech, they asked questions of the audience that seemed to be of importance to them, the first being, "Who was the original drummer for The Mothers of Invention?"

They got the correct answer from the crowd - the name and sobriquet of the man who played some tasty and difficult drums for Zappa at the start, keeping Zappa grounded in bar band rock while additional conservatory-trained percussionists (including Arthur Dyer Tripp and Billy Mundi) took on the more experimental parts, and who was the most iconic presence in the group apart from Zappa himself.

And now Jimmy Carl Black, The Indian of the Group, original drummer for The Mothers of Invention, has passed away on November 1.

Jimmy Carl is probably best known and loved for his portrayal of Burt, the Redneck, tormentor of The Mothers, in Zappa's film 200 Motels, from 1971. Here's his big musical number, "Lonesome Cowboy Burt," with a bit of the following scene with Theodore Bikel as Rance Muhammitz, who may or may not be The Devil (and while I thank the person who uploaded this, I can't believe they cut the scene one line short of the best punchline!):



(the next line, from Burt, is "You got many friends that call you Opal the Hot Little Bitch?")

Jimmy Carl, Indian of the Group, we will miss you.

In looking for that clip above, I found a whole bunch of excerpts from 200 Motels on YouTube (the film is long out of print on VHS and there's no DVD), so for those who haven't seen this mangled, difficult, deeply flawed, something-like-a-masterpiece, I've included the clips in the cut below. I'm glad to have them in postable form, but the quality is somewhat variable, sorry.

The film is the story of how touring in a rock and roll band can make you crazy, as The Mothers reach a new town, Centerville, just like all the other towns they've been in as they've stayed in 200 motels across America. The band is beginning to fragment - all of them beginning to hate playing Zappa's weird "comedy" music (which doesn't help them get any groupie action) and wanting to instead play some "heavy blues." They're also tired of Zappa secretly recording their conversations and then using it as material for his songs and for the movie he's writing (which is indeed where much of the dialogue comes from). Now, in Centerville, the band has reached the breaking point.

The film was shot on a large soundstage in England, on video, with a giant cartoony set representing the town and four groups of performers - The Mothers; actors; dancers; a symphony orchestra and choir - performing simultaneously in different areas of the stage.

They had less than a week and very little money to shoot it on, and only wound up filming a third of Zappa's dense script. Then, in the editing (for which two weeks were allowed), the story was made even less intelligible. There were outtakes, but the studio unfortunately decided to erase the master tapes to make a little money selling them back as blank stock(!).

However, what there is left is a collection of beautiful, bizarre parts that don't quite come together. I love it.

200 MOTELS - in the TOTALITY of its PAGAN SPLENDOR! )



collisionwork: (Default)
Haven't shared my blogroll in a while - it's a pain to format it right here, but what the heck, I had to check something today that meant it was halfway towards an easy post, and people keep asking me where I get all the obscure music I play, so here's some easy pointers.

I'm not including some of the LiveJournal friends - James Urbaniak, Todd Alcott, Cait Brennan - that I normally put in here 'cause it's a pain to work out inserting them. If you're interested, check my friends' list (more interesting people there, too, besides those three). I also read Tim Lucas' Video WatchBlog, but - annoyingly - he doesn't put out an RSS feed so I just have to remember to check that one.

Here's the rest- hope you find a few new places to check out . . .

217 Blogs, Sites, and Online Whatevers of Interest )




collisionwork: (spaghetti cat)
Still cheery, for the most part, about this week's events. Disillusionment to come, of course, but that's well expected.

Berit's teaching me to run Lord Oxford for a couple shows next week while she has to go away on family stuff - which means I also have to do Penny Dreadful on my own. Busy next week. Currently ambling - cleaning the apartment, thinking about next year's shows, catching up on paperwork to deal with for the company, now that it's a real company.

Still trying to cut things from the iPod today, while adding more at the same time. Now there are 26,020 tracks on there. Here's today's Random Ten:

1. "Lifetime" - The Bliss - Fading Yellow volume 1

Oh, man is this a piece of nauseating wimpy hippie trash. Ick. I told Berit this was an immediate DROP and she said I might want to keep it to use if I needed to build up the will to slap someone sometime. Okay.

2. "Brief Candles" - The Zombies - Odessey & Oracle

Okay, here's how you do wimpy hippie trash properly. This STAYS

3. "Mica" - Mission Of Burma - Vs.

I came to MOB late and want to spend more time with all of their sides before culling the lesser ones (which I have a feeling this one is . . . maybe not). STAYS.

4. "It's a Good Thing" - That Petrol Emotion - Children of Nuggets: Original ARTyfacts from the Second Psychedelic Era - 1976-1996

Hmmn. Kinda the same thing as the MOB - I want to know this better before dumping. What the hell AM I gonna dump at this rate?

5. "Nervous" - Victims - S/T 7" EP

Nope, not this. Great cheap punk single.

6. "See My Friends" - The Reegs - Shangri-La: A Tribute To The Kinks

Nice, but unnecessary, especially if I have the Kinks' original. If I do, it's a DROP.

7. "The Little March (live)" - Frank Zappa - You Can't Do That On Stage Anymore, Volume 5

Late-60s Mothers of Invention live? STAYS.

8. "Indian Feeling" - CAM Library - Feeling

Very short charming cheesy library track. STAYS.

9. "Voodoo Plan" - The Headliners - Wavy Gravy - Four Hairy Policemen…

Preceded by a radio spot for The Astro-Zombies, which is enough to keep this.

10. "I Know" - The Illusions - Pebbles Volume 11

Pretty good garage rock, but not a sure thing. DROP.

Hey, cat photos again!

Moni at the window, this morning:
Moni at the Window

Three stages of falling to sleep from Hooker, as Moni gets jealous of the attention he's getting and sneaks into the shots:
Hooker Heads for Sleep 1
Hooker Heads for Sleep 2
Hooker Heads for Sleep 3

And the two together - a detente:
H&M Vie for Attention

Out to run some household errands now. Maybe something else new soon . . .

collisionwork: (welcome)
Ladies and gentlemen . . .


Please rise for the National Anthem.

Twice.

from Mr. Jimi Hendrix, for the years past . . . with pain and suffering . . .



from Mr. Bruce Springsteen, for the future . . . with reconstruction and healing . . .



Last night's party at The Brick was one of the coolest, happiest, joy-i-est I've been at in a long while. There's an offical fuckload of shots and words for y'all behind this cut - not the world's greatest pictures, but there as a reminder for those who were at the party last night or those who wish they were, and to remind me of what it felt like, there and then.

Election Night '08 at The Brick, Williamsburg, Brooklyn )



And now, a word from Mr. Lee Dorsey & Mr. Allen Toussaint:



A few more from The Chambers Brothers:



And a final word from Mr. Sam Cooke:



All that said, the dark side of the day is that a number of heinous anti-Gay Propositions (notably, California's Prop. 8) and state Constitution rewrites have gone through. Fuck you, the majorities of California, Arizona, Arkansas, and Florida.

The Great Work continues, folks . . .

Civics

Nov. 4th, 2008 09:51 am
collisionwork: (escape)
The purpose of this place here where I write is to deal with the day-to-day things that feed me as an Artist-type-person. Which means that besides writing about my shows, other peoples' shows I'm working on, promotions for and processes of these things, I do post things that feed me as a person, hence, as an artist - usually this means music, cats, other arts, and sometimes humor (ie; those things that make life bearable). Some things, like, say, the Halloween party photos from last entry, make me feel a bit uncomfortable, like I've gotten off the track - but since a large percent of the people who read this are close friends anyway, sometimes I do a little something that's pretty much for just them. Whatever. It's my place.

Politics has always been a fuzzy subject for me to deal with here - it's not the purpose of the space, but it's been more and more informing the work that IS the purpose of the writing here. So as I've moved towards making political theatre work - World Gone Wrong, That's What We're Here For, my version of Foreman's Symphony of Rats, my version of Hamlet, Spell, Everything Must Go - a lot of which probably doesn't seem political to anyone but me and Berit, since we were the ones planning, discussing, and debating them during their creation, and who know what we were trying to say with those shows, and good for us for keeping it subtle - politics has come into this space more and more.

For most of my adult life (say ages 18-30), I've been a fairly (and admitted) wishy-washy bleeding-heart liberal who accepted the Democratic party as the closest thing to my beliefs in the public arena, so I might as well come out and vote for them every four years and not think about it the rest of the time. Whatever. Art was more important - I'd focus on that, first and foremost.

That began changing, for reasons, unknown to me, even before the election of our current President. My shows mainly concerned various states of psychic/emotional/spiritual/sociological confusion and splitting - being torn in multiple directions by the things that make us human. Politics, if apparent, was a symptom of a much greater disease evident in the state of merely being a member of our species.

Then I did a production of Foreman's Miss Universal Happiness in 1999 that posed a question that had begun eating at me - if Art cannot, in fact, change Humanity for the better, as it appears it can't, and you begin to think that the only way to accomplish any real, and potentially, ultimately, positive change is through violent revolution, then isn't it incumbent upon you to give up the Art and start making bombs?

That show ended in violent chaos, the question unanswered, the bomb delivered back to destroy the American Patriot Terrorist by a couple of Beauty Pageant Angels (Mr. and Miss Universal Happiness) and a Christian-Marxist Prostitute. I wound up answering the question for myself this year - NO - in Spell.

Where this came from then, I dunno. I had been very political from ages 15-18, and I have no idea why that happened either. I think it came from joining student groups opposed to nuclear war and realizing the daftness of that whole scene - I mean, who supported nuclear war, right? It seemed, the more I looked into it then, that the whole USA/Soviet nuclear race was a fine bit of misdirection to keep people from finding about about the truly scummy, dirty, illegal and unConstitutional things out government was doing in other places - primarily at that point, Central and South America (this is '83-86, a fine time for traitorous scumbaggery in our Nation's capital). So I joined other groups and worked for several years in protest of those actions - helping bring speakers from Nicaragua and El Salvador up to Massachusetts to speak to schools and colleges and so on (somewhere in Washington, there's a little file with my name on it, I'm sure . . .)

Then, I became disillusioned by looking even further into the matters and discovering that the issues were even more complex and dark, and while my government's actions were heinous, I couldn't in good conscience always give my full support to the alternative. And often, the people I was working with turned out to be morally bankrupt themselves, not really caring about the issues as much as being knee-jerk contrarians simply against the status quo - if it hadn't been the Reagan years and actually some kind of vaguely-leftist time, they would have been reactionary conservatives. It was clear that the enemy of my enemy was not at ALL necessarily my friend.

So, with a fine feeling of "to hell with ALL of youse," I went off to film school at NYU and did pretty much nothing but Art-stuff for many years. Yeah, I got beaten by cops in Tompkins Square in '88, as I wrote about, but I was primarily there as a documentarian for a friend and got in the middle of a bad scene I didn't expect.

In my work, I became purely interested in the way human beings work, or don't, internally - the mind/body problem, the struggle between heart and head, the location or existence of "the spirit," how trustworthy in any way are our perceptions, that sort of thing. And I moved from Film to Theatre, but that's another story, and even less clear to me.

Something started changing in me while working at, and living in the basement of, Nada on Ludlow Street from 1996-2000 (for you young 'uns and non NYC theatre folk, this was a theatre, it was cool and beautiful for a time, we did good work there, I can say no more without bringing up VERY bad feelings and old conflicts). No idea why, but it did. I think maybe it was because I had begun to read more on American History, which fascinates me, and the more and broader I read about the past, the more I could see clearly exactly what was happening in the present, and worse.

A week before we were evicted from that space, Berit and I, still a new couple, watched the 2000 election on the old early-'70s Sony Trinitron I had there, with the rabbit ears. Stayed up most of the night in amazement at the drama of the election, but not entirely concerned about how it went, one way or the other. I had voted for Nader - and I admit it happily. New York was definitely going Gore, and I agreed more with Nader than Gore anyway. One thing had become clear to me by that point in my life, and remains true today, that I wouldn't vote for anyone on the actual Democratic or Republican ticket unless I absolutely HAD to - which DOES happen, as I generally won't sit out from a vote in any category, and some people run unopposed, or on several tickets I don't like. I didn't think the 2000 election would change things all too much.

Well, it has and it hasn't. Frankly, a lot of the evil that's been done the last eight years has ALWAYS been going on, and maybe we can be at least grateful to the current Administration for being so shamelessly horrible that more people at least got distracted from the bread & circuses and realized, "hey, these aren't such good things happening here." Again, I've been reading a lot about the Country these last ten years -- most of the evil here has ALWAYS been here, and these times are not unusual.

At the same time, the stakes have gotten higher. And the last eight years have been . . . well, the last eight years. We are now dealing with actions that have consequences that CAN'T just be "fixed" when they blow up on us. The planet itself is in trouble, and Our Fearless Leaders seem to care more about how to plunder it during the brief time they're here and get away with it, and merely LOOK like they're doing something positive, than actually doing anything.

I am continually amazed at the depths to which These Leaders will sink in pursuit of power and money -- Berit never is, and I don't think any politician could possibly sink low enough to surprise her - I think, if it were discovered tomorrow that the President and Vice-President were sacrificing 15-year-old virgins to appease Yog-Suggoth while sodomizing goats and eating live kittens, she'd shrug and ask, "Well, what do you expect from those people?." But then, her earliest memories of politics - and not positive ones - are of the Reagan era, and mine is of watching Nixon resign and thinking that I was learning that the "Bad Guys" always get caught, even if they're the President.

The stakes got high enough that my own work changed and my precepts about keeping politics out of them went by the wayside. I think I've handled the shift well, myself, continuing to put the cart behind the horse by putting the Art before the coarse.

So, I will vote today, and as you might expect. Hell, no point in being coy about it, of course I'm voting for Obama, much the way I did in '04, for Kerry, and again not on the Democratic ticket but in Row E, under the Working Families Party. At the time of the last election, I debated going for Nader again - I mean the state was going Kerry anyway, definitely, but I decided (and still am conflicted about this) that as unified a front had to be made against the man in the White House as possible, as many single voices. Fat lot of good that did, huh?

There's some less nose-holding this time, and more hope. But as I think I've made clear, I don't really trust ANYONE who's part of the political machines of either the Democrats or Republicans, and Obama has pissed me off on more than a few occasions. I can't just suck it back and put on a smiley face and cheer the man unreservedly, but while I can't completely trust him, I can still have enough hope for and in him to join in, and really feel that I am voting not for a "lesser evil," but for your standard politician who may help some things, good or bad, hinder others, also good or bad, against a MONSTROUS FUCKING EVIL THAT WILL DESTROY THIS COUNTRY. REALLY.

Towards the end of his life, that deep cynic Frank Zappa began a push to register voters at his concerts, and encouraged participation in the Democracy of this land. He felt that Americans had lost touch with what their job was in the process - he partially blamed this on the elimination from most school curriculums of that subject once known as "Civics," which was supposed to teach our kids how the country is supposed to work (he was proud of the fact that, while he had been miserable in school and a mostly-bad student, he had gotten A's in that subject). He began putting statements on his album covers such as, "DON'T FORGET TO REGISTER TO VOTE - THE SYSTEM SOMETIMES WORKS WHETHER YOU BELIEVE IN IT OR NOT," or simply "VOTE!" In that spirit, I join in that message. If I have any hope that's grown over these last eight years, it's that many in this country have begun to pay attention and learn "Civics" on their own, and are no longer being apathetic and claiming they are simply "withdrawing in disgust" (as often as not, a cop-out). I believe in the basics of this experiment that is this country, and I'm pulling for it not to fail.

Four years ago, B & I watched the returns at home, again putting a makeshift antenna on a TV so we'd get reception (we don't normally bother) - which we do, as B says, in times of disaster, like 9/11 or that '04 election.

Berit's up and in the shower, and when's she's out, we're off to vote. Tonight, we'll be with friends in our home theatre, The Brick, where, hopefully, it's all been worked out so we'll have streaming video on the big screen. If not, I'm bringing that 1973 Sony Trinitron, with the old rabbit ears, with me so I can set it up and switch channels around, just like the old days.

And finally, having gone through all that, here's two funny videos to make light of this serious occasion, from Funny or Die:

Vote Calrissian for President!/Another Word from Portman & Jones )



Calling out with hope at the other end of a tin can on a string here in this world gone wrong, I remain your friend.

Parties

Nov. 2nd, 2008 10:31 am
collisionwork: (vile foamy liquids)
Great Halloween party at the home of Matt & Dina Gray on Friday night.

The theme(s) was/were "Come as a Corporate Logo/Mascot" or "Fine Art, that is, come as Jackson Pollock or come as a Jackson Pollock."

Berit and I went the latter route - she taking on Picasso's Girl Before a Mirror, and I, as mentioned here before, not thinking then that I'd actually go this route, got a dusky red sweater and black pants and went as Mark Rothko's No. 14, with identifying card, as you'd see next to the work in a museum -- which became the joke, as people would look at me and ask, "What are you?" and I'd hand them the card or hold it next to me - which was better for the joke but spoiled the image a bit - and stand very still. I was surprised how many people actually got this and laughed (or, well, groaned appreciatively), but considering some of the artwork on display, maybe I shouldn't have.

I took quite a few photos, but because of the party lighting - not only low, but VERY red-tinted - my camera, which usually works well in low light, got poor results. It was better with flash, but of course those don't look too great.

So, behind the cut - because these are probably only of interest to friends of those of us there who aren't on Facebook and seeing all the shots of that night posted by many of us who were there - are a few of the better shots from the evening . . .

Matt & Dina Rose Gray's place - Halloween 2008 )



Today I go see a show for the NYIT Awards. Glad I realized about daylight savings time or I'd have been there WAY early and in a foul mood. Saw the final performance of The Master of Horror last night and then Bride of Sinister Six at The Brick. Busy.

Tuesday night is the Election Night Special performance of Lord Oxford at The Brick, followed by watching the Election results there - we're figuring out how to stream the video to the big big screen. I'll probably drag in my old TVs as well, hook them to antennas and switch channels around, then maybe point a video camera at them and broadcast that on the screen as well.

I've been wanting to do the whole night with us on the Brick staff as the "Brick Action News Team," as if we're covering the Election ourselves, live video camera and microphones, delivering insane, non-sequitur commentary on what we're seeing, but I don't think that'll happen, as much fun as Berit and I have been having with the idea:

IAN: (loud, cheerful) This is Ian W. Hill, media supervisor of the Brick Action News Team, live from the bar area at the rear of the theater, throwing you now to Berit Johnson in our state-of-the-art Brick SuperMedia SkyBooth. Berit, can you hear me?
BERIT: (flat, joyless) Yes, Ian, of course I can hear you.
IAN: That's incredible, Berit, you're coming through with amazing clarity!
BERIT: Ian, I'm four feet above you.
IAN: Well, that's great, Berit! Boy, that new Brick SuperMedia SkyBooth is really something, huh?
BERIT: It's the tech booth, and I'm right over you, you don't have to shout.
IAN: Well, that's terrific! Say, isn't it great seeing our Democracy in action?
BERIT: I'm a Socialist, Ian, you know that. This is all a Capitalist farce between two barely-differing segments of the Money Party that rules the State.
IAN: Hey, great, it takes all kinds to make up our fine country!
BERIT: I'm cutting your damn microphone, Ian.

Probably, we'll just stock up on food and alcoholic beverages and have a suspenseful (?) viewing evening.

See you on the other side of this piece of history . . .

collisionwork: (mystery man)
Happy Halloween.

I'm awake, but not cheerfully - insomnia, up and down all night. In the end I got the full hours of "a good night's sleep," but not in a row.

This had nothing to do with any Halloween scariness, though on one of my times up in the middle of the night, puttering away online, I encountered THAT commercial from 1978 that caused me a few sleepless nights back then:

Fats Wishes You a Happy Halloween! )



Oh, what the heck, let's continue the creepy horror trailers theme for today!
There's only one thing wrong with the Davis baby . . . )



Meanwhile, back in the iPod, there 26,012 tracks taking up 72.27 GBs, with less than a gig for new music, and months of acquired music to put in. What tracks from today's Random Ten shall be dropped to make way for better things?

1. "L'Estasi Dell'Oro (from The Good, the Bad, and the Ugly)" - Ennio Morricone - The Dinosaur Gardens Tribute to Il Maestro

Better known as "the music that plays as Eli Wallach runs around in circles for three minutes looking for Arch Stanton's grave." One of my favorite pieces of music. STAYS.

2. "Final Achievement" - In Camera - Return of the Batcave

Whoa. The opening of this is someone doing a low-rent Arnold Dreyblatt impression, apparently striking an electric guitar with a bow. Then it completely changes into a good little post-punk, post-no wave alt-rock song. Not great, but good enough and obscure enough to keep. STAYS

3. "Idiot Wind (original version)" - Bob Dylan - Blood On The Tracks - New York Sessions

Just got this recently and it was good enough to shove on the iPod ahead of the rest of the backlog. A very different version of a song I already love, maybe not as good as the released version, maybe as good, maybe better. Ask me next time I hear it. STAYS.

4. "Gloomy Sunday" - Sinéad O'Connor - Am I Not Your Girl?

From her album of standards, which I love. However. This song is slow and depressing in the wrong way for the iPod. This one is to be REMOVED.

5. "Louie Louie (medley)" - The Troggs - The Louie Louie Files

This is pretty cheesy. It's probably barely the original Troggs, much later than their 60s prime, doing a medley of various 60s hits. Almost charming enough in cheesiness to stay, but it the end I think this should be REMOVED.

6. "Who's Gene Autry? " - Johnny Cash with John Carter Cash - Legend

Pretty corny track from The Man. GOES.

7. "Glory Box (live)" - Portishead - Roseland NYC (Live)

Great song, made better in this live version, which is not what I would have expected from this band. Actually, EVERY song on this album tops the original version, while sounding almost identical to it; there's just some little bit of extra live energy to them that puts them over the top. STAYS.

8. "Electric In General (from Flower Power & Gunpowder)" - Jerry Finegold - Public Guy Private Dick-Selected Cuts From The Original Soundtracks

Neat hot instrumental that STAYS. Wish I knew where it was REALLY from - Finegold created soundtracks for NYC-area Z-pictures by just needle dropping tracks from other albums, and actually had the nerve to release a "soundtrack album" of tracks he'd just lifted outright from other places. Not even had replayed by new musicians, he just TOOK them! Some chutzpah there . . .

9. "La Vie En Rose" - Sam Butera & The Witnesses - Ultra-Lounge 10: A Bachelor in Paris

Good cheesy lounge version of the song. Not necessary, but STAYS, for now.

10. "Greyhound Blues" - D.A. Hunt - Sun Records: The Blues Years 1950-1958 vol. 5

Don't really know this song yet, and I need to live with it a while longer. STAYS while I get to know it and see if it keeps penetrating, or if it's one more REALLY good blues from the time and place that I have dozens and dozens of now, and can't keep all of them in the iPod.

Some political stupidity to link to . . .

So, have you heard the latest wingnut rumor about Obama? About his parentage? Oh, it's astonishingly mad. [livejournal.com profile] urbaniak breaks it down with his normal wit HERE. Yeeesh.

Meanwhile, a group of Christians decided to band together (after one had a dream in which God spoke to her and told her to do this - really) and DO something for our economy. What did they decide to do?

They decided to get together at the giant bronze bull statue down on Bowling Green - not Wall Street, as everyone keeps saying, but it's close enough - and lay hands on this symbol of Capitalism and pray for it to be healed.

It's not quite worship, and not quite a golden calf . . . but close enough to make you wonder how well these people had read their Bible. Oh, right, that's that "Old" Testament, the one that only counts when it's on about killing homosexuals. More words, photos, and video on this glorious non-ironic derangement HERE.

(you know, this same poor bull, right after the beginning of the financial crisis, had its prominent testicles painted bright blue - I'm not sure what event is more insulting to this proud beast . . .)

Oh, and Wil Wheaton, TV's Wesley Crusher, wishes you a very Happy Halloween in his own way . . .
Wil Wheaton Wishes a Happy Halloween

We ALL float down here, Georgie!

Boo!

collisionwork: (scary)
Various things going on around town from my friends and collaborators . . .

Bryan Enk has put together his third yearly compilation of short horror videos from various artists, following The Sinister Six and Son of Sinister Six. This year it's Bride of Sinister Six and the six short works are all created by women. It plays tonight and tomorrow and info about the shorts and where and when to see them can be found HERE. I hope Bryan keeps this up, as Berit and I finally had a good idea for a short this year and would like to put it together for the next one (The Sinister Six Strike Back?).

I also hope that Bryan has the additional cast/crew screening at The Brick of these films, as I can't see them at either of these screenings -- and for that matter neither can two of the filmmakers and several more of the actors involved, as they're all involved in one of the two shows below (ah, we're an incestuous little group, aren't we?).

First, Lord Oxford brings you The Second American Revolution continues tonight at The Brick. More info is HERE, and here's a little promotional word from Lord Oxford himself and his little Irish ward Pattie O'Pattiecake:


And closing this weekend . . . from Nosedive Productions . . .
Last Waltz #3
The Blood Brothers present... The Master of Horror

stories by Stephen King

adapted for the stage by James Comtois, Qui Nguyen, and Mac Rogers

directed by Pete Boisvert and Patrick Shearer

Nona - In the Car

photos by Aaron Epstein - more info on the show at the title link above.

I'm trying to get both of these in, and a party or two, and another show. Halloween is just a busy time of year . . .

collisionwork: (Squirt)
I haven't been doing much if anything in the way of comment on the election. I provide quotes and links sometimes to various other items of political/social note, but the election . . ? Not my bag for this place. This is a place for sharing words and images related to the Art-Stuff I do, even tangentially in terms of feeding me in some way to make the work. This does include political things, if they have some relation to how I think about the Art-Stuff or can use it in some way. Usually, that means constitutional infringements or other outright criminal/traitorous acts from the Administration.

This quadrennial farce is not artistically interesting in any immediate way to me.

I will be voting, I hope you will, too. I will not vote Democratic or Republican if I can avoid it - I despise the two-party system we've devolved to, and I despise the two parties themselves. If I feel I HAVE to vote for the candidate running as a Democrat (or even, yes, as I have in some areas, usually small county positions, Republican) I will vote for them, where possible, in another column - in the case of Democratic candidates, usually under the "Working Families" party. It's a small thing, but I'd rather not throw my support behind one of the corrupt and corrupting Big Two. If, like . . . well, many people, you feel you have to vote for the Democratic candidate this year, might I suggest the Working Families Party. If you're in New York or Connecticut, that is - the Party is only on the ballot there as yet.

And if you're going to vote this way - for a Main Candidate but on another ticket but the Big One - check your state's rules -- in some states, the votes aren't added together if, say, a candidate is on both the Republican and the Conservative tickets, and even if he gets enough votes under those two parties combined to win a state, it won't matter because only the bigger number will count, and if an opposing candidate gets more votes under one party than that bigger number, they win. In New York State, all votes for a candidate are added together, for all tickets that candidate might be on. Good.

I only have one last comment on the election for now, a photocropping inspired by an identical one created by [livejournal.com profile] capthek I saw (along with the full original photo) on [livejournal.com profile] urbaniak's blog:

McCain?

Well, to get the bad taste out of my mouth, two more new favorites that have shown up on the LP Cover Lover site. First, one that . . . well, yet another example of a perfectly good title subverted by time and the change in the most common usage of a word:
The Gay Gordon

And, judging from this cover, the sermon contained inside maybe REALLY stretches a metaphor a bit far:
The World Series

I dunno . . . Jesus' team looks a little light to me. Maybe he should bring in Joseph to the lineup, with Lot batting cleanup.

The Bible verse noted there that apparently inspired this sermon is "Righteousness exalteth a nation: but sin is a reproach to any people." I'm not sure quite how this applies to the National Pastime in any useful spiritual way, but maybe I'm just not enlightened enough . . .

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